Vignettes: A Miniature Journal of Whim and SentimentCrackanthorpe, Hubert
PhilosophyPhilosophy
Vignettes: A Miniature Journal of Whim and Sentiment
Crackanthorpe, Hubert
English essays -- 19th century; Europe -- Description and travel
“It is forty-eight years since I saw anything, _monsieur_. When I was
young I had a great trouble.... For eighteen months I wept, and when I
went back to work, my eyes were worn out, and I could see no more.... It
is forty-eight years now, _monsieur_, since I saw anything....
_Heureusement, il n’y en a plus pour longtemps ... ce sera bientôt
fini...._”
She spoke simply, and with quiet dignity; though I could see that she
was crying a little, as she fingered her handkerchiefs with her
full-veined, tremulous hands.
[Sidenote: CASTELSARRASIN
May 17]
From afar off, high against the sky, we could see the ragged line of its
roofs, like an ancient, tattered crest along the back of a precipitous,
inaccessible-looking hill.
To reach it we waded the Luys de France, with the water swishing under
our horses’ bellies, and climbed a mule-track, tight-paved with cobbles,
waywardly winding beneath the contorted limbs of leafy, Spanish
chestnuts. The track led us around the outside of the village, close
under the shadow of its houses—discoloured-yellow and musty-white,
fissured and bestained, battered and starved, till everywhere their
bones protruded, bulging, bursting beams.
Low, sloping roofs, moss-grown, the colour of old gold, over-lapped the
walls, like huge, ill-fitting caps; shading row upon row of wooden
balconies, filled with a decrepid multitude of things, which, it seemed,
could never have been new—broken earthenware pots; rickety rush-bottomed
chairs; strips of old linen; worn-out bass brooms; stacks of dead
branches....
Two geese, a yellow dog, and a little black pig had the village street
all to themselves. The clock on the tower of the whitewashed church
pointed half-past ten, though the twilight had not yet come. And our
horses’ hoofs clattered, almost brutally, past the dank-smelling,
mud-floored rooms, and the cracked, worm-eaten shutters, wearily moaning
with the dull fatigue of stiff-jointed old age.
Toiling up the hill, on the other side, we met a crooked old woman,
barefooted, clad in a single frayed shirt, carrying a truss of sainfoin
on her head.
“_Adechats_,” she mumbled mechanically, and toiled on barefooted up the
stony path, steadying the truss of sainfoin with both hands....
[Sidenote: IN THE BASQUE COUNTRY
May 23]
Public-domain text, read in full here on John Shaqi.
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