Vignettes of Manhattan; Outlines in Local Color — John Shaqi
Vignettes of Manhattan; Outlines in Local ColorMatthews, Brander
General
Vignettes of Manhattan; Outlines in Local Color
Matthews, Brander
Manhattan (New York, N.Y.) -- Fiction; Short stories, American
In a pew between the organ and the pulpit sat a slight, graceful,
dark-eyed and dark-haired woman, young still and charming always,
although the freshness had faded from her face. This was the celebrated
actress with whom the dead man had been acting only a week before. She
was the ideal Juliet--so the theatre-goers thought--and never before had
she been aided by so gallant and so ardent a Romeo. Never before had the
tragedy been produced with so much splendor, and with dramatic effect so
certain and so abundant. Never before had "Romeo and Juliet" been
performed for a hundred and fifty nights without interruption. And for
once the critics had been in accord with the public, so potent was the
glamour of youth and beauty and passion. It was a joy to all discerning
lovers of the drama to see characters so difficult interpreted so
adequately. Thus it was that the tragedy had been played for five months
to overflowing audiences; and its prosperity had been cut short only by
the death of the fiery wooer--of the Romeo who lay now in the coffin
before the chancel, while the Juliet, with the tears gliding down her
cheeks, sat there by the side of the middle-aged merchant she was soon
to marry. The young actor, to catch a glimpse of whom silly school-girls
would watch the stage door, and to whom foolish women sent baskets of
flowers, now lay cold in death, with lilies and lilacs in a heap over
his silent heart.
When the final notes of the contralto's rich and noble voice had died
away, the rector went on with the ritual:
"Man, that is born of a woman, hath but a short time to live, and is
full of misery. He cometh up, and is cut down, like a flower; he fleeth
as it were a shadow, and never continueth in one stay."
The dead man had been the last of his line, and there were no near
kindred at the funeral. There was no mother there, no sister, no wife.
Friends there were, but none of his blood, none who bore his name. Yet
there was a shiver of sympathy as the tiny clods of clay rattled down
upon the coffin lid, and as the rector said "earth to earth, ashes to
ashes, dust to dust."
Then the service drew to an end swiftly, and the pall-bearers formed in
order once again, and the coffin was lifted and carried slowly down the
aisle.
As the sorrowful procession drew near to the open door and passed before
the pew where the tall fair-haired woman stood, stolid, with averted
head, and a stare fixed on the floor, one of the bearers stumbled, but
recovered himself at once. The woman had raised her hand, and she had
checked a cry of warning; but the coffin was borne before her steadily;
and they who bore it little guessed that they were carrying it past the
dry-eyed mother of the dead man's unborn child.
(1893.)
THE TWENTY-NINTH OF FEBRUARY
Public-domain text, read in full here on John Shaqi.
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