Vignettes of Manhattan; Outlines in Local Color — John Shaqi
Vignettes of Manhattan; Outlines in Local ColorMatthews, Brander
General
Vignettes of Manhattan; Outlines in Local Color
Matthews, Brander
Manhattan (New York, N.Y.) -- Fiction; Short stories, American
"I told you," White answered. "He is Mr. Cyrus Poole, the president of
the Niobrara Central Railroad, and one of the coming men in the Street.
He turned up in Denver ten years ago, and when he had learned all that
Denver had to teach him he went to Chicago. He graduated from the Board
of Trade there, and then came to New York; he has been here two years
now, and already he has made himself felt. He has engineered two or
three of the biggest things yet seen in the Street. As a result there
are now two opinions about him."
"If this portrait is true," said the old maid, "I don't see how there
can be more than one opinion about him."
"There were three at first," White rejoined. "At first they thought he
was a lamb; now they know better. But they are still in doubt whether he
is square or not. They say that the deal by which he captured the stock
of the Niobrara Central and made himself president had this little
peculiarity, that if it hadn't succeeded, instead of being in Europe on
his honeymoon, Cyrus Poole would now be in Sing Sing. Why, if half they
said about him at the time _is_ true--instead of hanging here on the
line, he ought to have been hanged at the end of a rope. But then I
don't believe half that I hear."
"I could believe anything of a man who looks like that," Miss
Marlenspuyk said. "I don't think I ever saw a face so evil, for all it
appears frank and almost friendly."
"But I have told you only one side," White went on. "Poole has partisans
who deny all the charges against him. They say that his only crime is
his success. They declare that he has got into trouble more than once
trying to help friends out. While his enemies call him unscrupulous and
vindictive, his friends say that he is loyal and lucky."
Miss Marlenspuyk said nothing for a minute or more. She was studying the
portrait with an interest which showed no sign of flagging. Suddenly she
looked up at White and asked, "Do you suppose he knows how this picture
affects us?"
"Poole?" queried White. "No, I imagine not. He is a better judge of
values as they are understood in Wall Street than as they are
interpreted at the Art Students' League. Besides, I've heard that he was
married and went to Europe before the picture was quite finished.
Brashleigh had to paint in the background afterwards."
"The poor girl!" said Miss Marlenspuyk. "Who was she?"
"What poor girl?" asked the man. "Oh, you mean the new Mrs. Cyrus
Poole?"
"Yes," responded the old lady.
"She was a Miss Cameron," White answered; "Eunice Cameron, I think her
name was. I believe that she is a cousin of Brashleigh's. By-the-way, I
suppose that's how it happened he was asked to paint this portrait. He
is one of the progressive painters a Wall Street man wouldn't be likely
to appreciate off-hand. But it couldn't have been given to a better man,
could it?"
Miss Marlenspuyk smiled.
Public-domain text, read in full here on John Shaqi.
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