This story turns chiefly on a great king named Vikram, the King Arthur of the East, who in pursuance of his promise to a Jogi or Magician, brings to him the Baital (Vampire), who is hanging on a tree. The difficulties King Vikram and his son have in bringing the Vampire into the presence of the Jogi are truly laughable;This book also inspired the "Golden Asse" of Apuleius, Boccacio's "Decamerone," the "Pentamerone," and all that class of facetious fictitious literature.Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
Thus passed onwards his youth, doing nothing that it could desire,
forbidden all pleasures because they were unprincely, and working in the
palace harder than in the pauper’s hut. Having, however, fortunately for
himself, few predilections and no imagination, he began to pride himself
upon being a philosopher. Much business from an early age had dulled
his wits, which were never of the most brilliant; and in the steadily
increasing torpidity of his spirit, he traced the germs of that quietude
which forms the highest happiness of man in this storm of matter called
the world. He therefore allowed himself but one friend of his soul. He
retained, I have said, his brother’s seven or eight ministers; he was
constant in attendance upon the Brahman priests who officiated at the
palace, and who kept the impious from touching sacred property; and he
was courteous to the commander-in-chief who directed his warriors, to
the officers of justice who inflicted punishment upon offenders, and
to the lords of towns, varying in number from one to a thousand. But
he placed an intimate of his own in the high position of confidential
councillor, the ambassador to regulate war and peace.
Mahi-pala was a person of noble birth, endowed with shining abilities,
popular, dexterous in business, acquainted with foreign parts, famed for
eloquence and intrepidity, and as Menu the Lawgiver advises, remarkably
handsome.
Bhartari Raja, as I have said, became a quietist and a philosopher.
But Kama,[21] the bright god who exerts his sway over the three worlds,
heaven and earth and grewsome Hades,[22] had marked out the prince once
more as the victim of his blossom-tipped shafts and his flowery bow.
How, indeed, could he hope to escape the doom which has fallen equally
upon Brahma the Creator, Vishnu the Preserver, and dreadful Shiva the
Three-eyed Destroyer[23]?
By reason of her exceeding beauty, her face was a full moon shining in
the clearest sky; her hair was the purple cloud of autumn when, gravid
with rain, it hangs low over earth; and her complexion mocked the pale
waxen hue of the large-flowered jasmine. Her eyes were those of the
timid antelope; her lips were as red as those of the pomegranate’s bud,
and when they opened, from them distilled a fountain of ambrosia. Her
neck was like a pigeon’s; her hand the pink lining of the conch-shell;
her waist a leopard’s; her feet the softest lotuses. In a word, a model
of grace and loveliness was Dangalah Rani, Raja Bhartari’s last and
youngest wife.
The warrior laid down his arms before her; the politician spoke
out every secret in her presence. The religious prince would have
slaughtered a cow--that sole unforgivable sin--to save one of her
eyelashes: the absolute king would not drink a cup of water without her
permission; the staid philosopher, the sober quietist, to win from her
the shadow of a smile, would have danced before her like a singing-girl.
So desperately enamoured became Bhartari Raja.
Public-domain text, read in full here on John Shaqi.
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