This story turns chiefly on a great king named Vikram, the King Arthur of the East, who in pursuance of his promise to a Jogi or Magician, brings to him the Baital (Vampire), who is hanging on a tree. The difficulties King Vikram and his son have in bringing the Vampire into the presence of the Jogi are truly laughable;This book also inspired the "Golden Asse" of Apuleius, Boccacio's "Decamerone," the "Pentamerone," and all that class of facetious fictitious literature.Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
Presently, at the further extremity of the smashana, or burning ground,
appeared a group. By the lurid flames that flared and flickered round
the half-extinguished funeral pyres, with remnants of their dreadful
loads, Raja Vikram and Dharma Dhwaj could note the several features of
the ill-omened spot. There was an outer circle of hideous bestial forms;
tigers were roaring, and elephants were trumpeting; wolves, whose
foul hairy coats blazed with sparks of bluish phosphoric light, were
devouring the remnants of human bodies; foxes, jackals, and hyenas
were disputing over their prey; whilst bears were chewing the livers of
children. The space within was peopled by a multitude of fiends. There
were the subtle bodies of men that had escaped their grosser frames
prowling about the charnel ground, where their corpses had been reduced
to ashes, or hovering in the air, waiting till the new bodies which
they were to animate were made ready for their reception. The spirits of
those that had been foully slain wandered about with gashed limbs; and
skeletons, whose mouldy bones were held together by bits of blackened
sinew, followed them as the murderer does his victim. Malignant witches
with shriveled skins, horrid eyes and distorted forms, crawled
and crouched over the earth; whilst spectres and goblins now stood
motionless, and tall as lofty palm trees; then, as if in fits, leaped,
danced, and tumbled before their evocator. The air was filled with
shrill and strident cries, with the fitful moaning of the storm-wind,
with the hooting of the owl, with the jackal’s long wild cry, and
with the hoarse gurgling of the swollen river, from whose banks the
earth-slip thundered in its fall.
In the midst of all, close to the fire which lit up his evil
countenance, sat Shanta-Shil, the jogi, with the banner that denoted
his calling and his magic staff planted in the ground behind him. He
was clad in the ochre-coloured loin-wrap of his class; from his head
streamed long tangled locks of hair like horsehair; his black body was
striped with lines of chalk, and a girdle of thighbones encircled his
waist. His face was smeared with ashes from a funeral pyre, and his
eyes, fixed as those of a statue, gleamed from this mask with an
infernal light of hate. His cheeks were shaven, and he had not forgotten
to draw the horizontal sectarian mark. But this was of blood; and
Vikram, as he drew near saw that he was playing upon a human skull with
two shank bones, making music for the horrid revelry.
Now Raja Vikram, as has been shown by his encounter with Indra’s
watchman, was a bold prince, and he was cautious as he was brave. The
sight of a human being in the midst of these terrors raised his mettle;
he determined to prove himself a hero, and feeling that the critical
moment was now come, he hoped to rid himself and his house forever of
the family curse that hovered over them.
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