This story turns chiefly on a great king named Vikram, the King Arthur of the East, who in pursuance of his promise to a Jogi or Magician, brings to him the Baital (Vampire), who is hanging on a tree. The difficulties King Vikram and his son have in bringing the Vampire into the presence of the Jogi are truly laughable;This book also inspired the "Golden Asse" of Apuleius, Boccacio's "Decamerone," the "Pentamerone," and all that class of facetious fictitious literature.Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
I do not, therefore, agree with Blair, with the dictionaries, or with M.
Deriege. Miletus, the great maritime city of Asiatic Ionia, was of old
the meeting-place of the East and the West. Here the Phoenician trader
from the Baltic would meet the Hindu wandering to Intra, from Extra,
Gangem; and the Hyperborean would step on shore side by side with the
Nubian and the Aethiop. Here was produced and published for the use of
the then civilized world, the genuine Oriental apologue, myth and tale
combined, which, by amusing narrative and romantic adventure, insinuates
a lesson in morals or in humanity, of which we often in our days must
fail to perceive the drift. The book of Apuleius, before quoted, is
subject to as many discoveries of recondite meaning as is Rabelais.
As regards the licentiousness of the Milesian fables, this sign of
semi-civilization is still inherent in most Eastern books of the
description which we call “light literature,” and the ancestral
tale-teller never collects a larger purse of coppers than when he
relates the worst of his “aurei.” But this looseness, resulting from
the separation of the sexes, is accidental, not necessary. The following
collection will show that it can be dispensed with, and that there is
such a thing as comparative purity in Hindu literature. The author,
indeed, almost always takes the trouble to marry his hero and his
heroine, and if he cannot find a priest, he generally adopts
an exceedingly left-hand and Caledonian but legal rite called
“gandharbavivaha.[2]”
The work of Apuleius, as ample internal evidence shows, is borrowed from
the East. The groundwork of the tale is the metamorphosis of Lucius
of Corinth into an ass, and the strange accidents which precede his
recovering the human form.
Another old Hindu story-book relates, in the popular fairy-book
style, the wondrous adventures of the hero and demigod, the great
Gandharba-Sena. That son of Indra, who was also the father of
Vikramajit, the subject of this and another collection, offended the
ruler of the firmament by his fondness for a certain nymph, and was
doomed to wander over earth under the form of a donkey. Through the
interposition of the gods, however, he was permitted to become a man
during the hours of darkness, thus comparing with the English legend--
Amundeville is lord by day,
But the monk is lord by night.
Whilst labouring under this curse, Gandharba-Sena persuaded the King
of Dhara to give him a daughter in marriage, but it unfortunately so
happened that at the wedding hour he was unable to show himself in any
but asinine shape. After bathing, however, he proceeded to the assembly,
and, hearing songs and music, he resolved to give them a specimen of his
voice.
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