This story turns chiefly on a great king named Vikram, the King Arthur of the East, who in pursuance of his promise to a Jogi or Magician, brings to him the Baital (Vampire), who is hanging on a tree. The difficulties King Vikram and his son have in bringing the Vampire into the presence of the Jogi are truly laughable;This book also inspired the "Golden Asse" of Apuleius, Boccacio's "Decamerone," the "Pentamerone," and all that class of facetious fictitious literature.Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
The person addressed pointed to an old woman who, seated before the door
of her hut, was spinning at her wheel. Then the young men went up to her
with polite salutations and said, “Mother, we are travelling traders,
and our stock is coming after us; we have come on in advance for the
purpose of finding a place to live in. If you will give us a house, we
will remain there and pay you highly.”
The old woman, who was a physiognomist as well as a fortune-teller,
looked at the faces of the young men and liked them, because their brows
were wide, and their mouths denoted generosity. Having listened to their
words, she took pity upon them and said kindly, “This hovel is yours, my
masters, remain here as long as you please.” Then she led them into an
inner room, again welcomed them, lamented the poorness of her abode, and
begged them to lie down and rest themselves.
After some interval of time the old woman came to them once more, and
sitting down began to gossip. The minister’s son upon this asked her,
“How is it with thy family, thy relatives, and connections; and what are
thy means of subsistence?” She replied, “My son is a favourite servant
in the household of our great king Dantawat, and your slave is the
wet-nurse of the Princess Padmavati, his eldest child. From the coming
on of old age,” she added, “I dwell in this house, but the king provides
for my eating and drinking. I go once a day to see the girl, who is a
miracle of beauty and goodness, wit and accomplishments, and returning
thence, I bear my own griefs at home. [57]”
In a few days the young Vajramukut had, by his liberality, soft speech,
and good looks, made such progress in nurse Lakshmi’s affections that,
by the advice of his companion, he ventured to broach the subject ever
nearest his heart. He begged his hostess, when she went on the morrow
to visit the charming Padmavati, that she would be kind enough to slip a
bit of paper into the princess’s hand.
“Son,” she replied, delighted with the proposal--and what old woman
would not be?--“there is no need for putting off so urgent an affair
till the morrow. Get your paper ready, and I will immediately give it.”
Trembling with pleasure, the prince ran to find his friend, who was
seated in the garden reading, as usual, and told him what the old nurse
had engaged to do. He then began to debate about how he should write
his letter, to cull sentences and to weigh phrases; whether “light of my
eyes” was not too trite, and “blood of my liver” rather too forcible. At
this the minister’s son smiled, and bade the prince not trouble his head
with composition. He then drew his inkstand from his waist shawl, nibbed
a reed pen, and choosing a piece of pink and flowered paper, he wrote
upon it a few lines. He then folded it, gummed it, sketched a lotus
flower upon the outside, and handing it to the young prince, told him to
give it to their hostess, and that all would be well.
Public-domain text, read in full here on John Shaqi.
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