This story turns chiefly on a great king named Vikram, the King Arthur of the East, who in pursuance of his promise to a Jogi or Magician, brings to him the Baital (Vampire), who is hanging on a tree. The difficulties King Vikram and his son have in bringing the Vampire into the presence of the Jogi are truly laughable;This book also inspired the "Golden Asse" of Apuleius, Boccacio's "Decamerone," the "Pentamerone," and all that class of facetious fictitious literature.Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
The lover and the nurse were equally distressed at having taken the
advice of the young minister, till he explained what the crafty damsel
meant. “When she smeared the sandal on her ten fingers,” he explained,
“and struck the old woman on the face, she signified that when the
remaining ten moonlight nights shall have passed away she will meet
you in the dark.” At the same time he warned his master that to all
appearances the lady Padmavati was far too clever to make a comfortable
wife. The minister’s son especially hated talented, intellectual, and
strong-minded women; he had been heard to describe the torments of
Naglok [60] as the compulsory companionship of a polemical divine and a
learned authoress, well stricken in years and of forbidding aspect, as
such persons mostly are. Amongst womankind he admired--theoretically,
as became a philosopher--the small, plump, laughing, chattering,
unintellectual, and material-minded. And therefore--excuse the
digression, Raja Vikram--he married an old maid, tall, thin, yellow,
strictly proper, cold-mannered, a conversationist, and who prided
herself upon spirituality. But more wonderful still, after he did marry
her, he actually loved her--what an incomprehensible being is man in
these matters!
To return, however. The pradhan’s son, who detected certain symptoms of
strong-mindedness in the Princess Padmavati, advised his lord to be wise
whilst wisdom availed him. This sage counsel was, as might be guessed,
most ungraciously rejected by him for whose benefit it was intended.
Then the sensible young statesman rated himself soundly for having
broken his father’s rule touching advice, and atoned for it by blindly
forwarding the views of his master.
After the ten nights of moonlight had passed, the old nurse was again
sent to the palace with the usual message. This time Padmavati put
saffron on three of her fingers, and again left their marks on the
nurse’s cheek. The minister’s son explained that this was to crave delay
for three days, and that on the fourth the lover would have access to
her.
When the time had passed the old woman again went and inquired after her
health and well-being. The princess was as usual very wroth, and having
personally taken her nurse to the western gate, she called her “Mother
of the elephant’s trunk, [61]” and drove her out with threats of
the bastinado if she ever came back. This was reported to the young
statesman, who, after a few minutes’ consideration, said, “The
explanation of this matter is, that she has invited you to-morrow, at
nighttime, to meet her at this very gate.
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