Mrs. Decie came forward in the slightly rustling silk which—whether in
or out of fashion—always accompanied her. A tall woman, over fifty, she
moved as if she had been tied together at the knees. Her face was long,
with broad brows, from which her sandy-grey hair was severely waved
back; she had pale eyes, and a perpetual, pale, enigmatic smile.
Her complexion had been ruined by long residence in India, and might
unkindly have been called fawn-coloured. She came close to Harz, keeping
her eyes on his, with her head bent slightly forward.
“We are so pleased to know you,” she said, speaking in a voice which had
lost all ring. “It is charming to find some one in these parts who
can help us to remember that there is such a thing as Art. We had Mr.
C—-here last autumn, such a charming fellow. He was so interested in
the native customs and dresses. You are a subject painter, too, I think?
Won't you sit down?”
She went on for some time, introducing painters' names, asking
questions, skating round the edge of what was personal. And the young
man stood before her with a curious little smile fixed on his lips. 'She
wants to know whether I'm worth powder and shot,' he thought.
“You wish to paint my nieces?” Mrs. Decie said at last, leaning back on
her settee.
“I wish to have that honour,” Harz answered with a bow.
“And what sort of picture did you think of?”
“That,” said Harz, “is in the future. I couldn't tell you.” And he
thought: 'Will she ask me if I get my tints in Paris, like the woman
Tramper told me of?'
The perpetual pale smile on Mrs. Decie's face seemed to invite his
confidence, yet to warn him that his words would be sucked in somewhere
behind those broad fine brows, and carefully sorted. Mrs. Decie, indeed,
was thinking: 'Interesting young man, regular Bohemian—no harm in that
at his age; something Napoleonic in his face; probably has no dress
clothes. Yes, should like to see more of him!' She had a fine eye for
points of celebrity; his name was unfamiliar, would probably have been
scouted by that famous artist Mr. C—-, but she felt her instinct urging
her on to know him. She was, to do her justice, one of those “lion”
finders who seek the animal for pleasure, not for the glory it
brings them; she had the courage of her instincts—lion-entities were
indispensable to her, but she trusted to divination to secure them;
nobody could foist a “lion” on her.
“It will be very nice. You will stay and have some lunch? The
arrangements here are rather odd. Such a mixed household—but there is
always lunch at two o'clock for any one who likes, and we all dine at
seven. You would have your sittings in the afternoons, perhaps? I should
so like to see your sketches. You are using the old house on the wall
for studio; that is so original of you!”
Harz would not stay to lunch, but asked if he might begin work that
afternoon; he left a little suffocated by the sandalwood and sympathy of
this sphinx-like woman.
Public-domain text, read in full here on John Shaqi.
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