Villainage in England: Essays in English Mediaeval History — John Shaqi
Villainage in England: Essays in English Mediaeval HistoryVinogradoff, Paul
History
Villainage in England: Essays in English Mediaeval History
Vinogradoff, Paul
Villeinage -- England -- History -- To 1500
It is not only the civil progress of the peasantry that we have to
notice, but the transformation and partial decay of the landed gentry,
the indirect influence of the economic convulsions on politics, ideas,
and morality, and, in a more special way, the influence of free
competition on soil and people that had been fettered for ages, the
passage from 'natural husbandry' to the money system, the substitution
of rents for labour, above all, the working of communal institutions
under the sway of the lord and in their modern free shape. Government
and society have to deal even now with problems that must be solved in
the light of history, if in any light at all, and not by instinct
groping in the dark. All such practical problems verge towards one main
question: how far legislation can and should act upon the social
development of the agrarian world. Are economic agencies to settle for
themselves who has to till land and who shall own it? Or can we learn
from Western history what is to be particularly avoided and what is to
be aimed at? I do not think that anybody is likely to maintain at the
present day, that, for instance, a study of the formation and
dissolution of the village community in the West would be meaningless
for politicians and thinkers who have to concern themselves with the
actual life of the village community in the East.
Another powerful incitement comes from the scientific direction lately
assumed by historical studies. They have been for a long time very
closely connected with fine literature: their aim was a lifelike
reproduction of the past; they required artistic power, and stirred up
feelings as well as reflective thought. Such literary history has a
natural bent towards national tradition, for the same reason that
literature is attracted by national life: the artist gains by being
personally in touch with his subject; it is more easy for him to cast
his material into the right mould. Ancient history hardly constitutes an
exception, because the elements of classical civilisation have been
appropriated by European nations so as to form part of their own past.
What I call literary history has by no means done all its work. There is
too much in the actions of men that demands artistic perception and even
divination on the part of the historian, to allow this mode of treatment
to fall into decay. But nobody will deny that historical study is
extending more and more in the direction of what is now called
anthropology and social science. Historians are in quest of laws of
development and of generalisations that shall unravel the complexity of
human culture, as physical and biological generalisations have put into
order our knowledge of the phenomena of nature.
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