Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
Think not, reader, that she thus bloomed and sparkled for the mere sake
of M. Paul, her partner, or that she lavished her best graces that
night for the edification of her companions only, or for that of the
parents and grand-parents, who filled the carré, and lined the
ball-room; under circumstances so insipid and limited, with motives so
chilly and vapid, Ginevra would scarce have deigned to walk one
quadrille, and weariness and fretfulness would have replaced animation
and good-humour, but she knew of a leaven in the otherwise heavy festal
mass which lighted the whole; she tasted a condiment which gave it
zest; she perceived reasons justifying the display of her choicest
attractions.
In the ball-room, indeed, not a single male spectator was to be seen
who was not married and a father—M. Paul excepted—that gentleman, too,
being the sole creature of his sex permitted to lead out a pupil to the
dance; and this exceptional part was allowed him, partly as a matter of
old-established custom (for he was a kinsman of Madame Beck’s, and high
in her confidence), partly because he would always have his own way and
do as he pleased, and partly because—wilful, passionate, partial, as he
might be—he was the soul of honour, and might be trusted with a
regiment of the fairest and purest; in perfect security that under his
leadership they would come to no harm. Many of the girls—it may be
noted in parenthesis—were not pure-minded at all, very much otherwise;
but they no more dare betray their natural coarseness in M. Paul’s
presence, than they dare tread purposely on his corns, laugh in his
face during a stormy apostrophe, or speak above their breath while some
crisis of irritability was covering his human visage with the mask of
an intelligent tiger. M. Paul, then, might dance with whom he would—and
woe be to the interference which put him out of step.
Others there were admitted as spectators—with (seeming) reluctance,
through prayers, by influence, under restriction, by special and
difficult exercise of Madame Beck’s gracious good-nature, and whom she
all the evening—with her own personal surveillance—kept far aloof at
the remotest, drearest, coldest, darkest side of the carré—a small,
forlorn band of “jeunes gens;” these being all of the best families,
grown-up sons of mothers present, and whose sisters were pupils in the
school. That whole evening was Madame on duty beside these “jeunes
gens”—attentive to them as a mother, but strict with them as a dragon.
There was a sort of cordon stretched before them, which they wearied
her with prayers to be permitted to pass, and just to revive themselves
by one dance with that “belle blonde,” or that “jolie brune,” or “cette
jeune fille magnifique aux cheveux noirs comme le jais.”
Public-domain text, read in full here on John Shaqi.
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