Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
Bretton! Bretton! and ten years ago shone reflected in that mirror. And
why did Bretton and my fourteenth year haunt me thus? Why, if they came
at all, did they not return complete? Why hovered before my distempered
vision the mere furniture, while the rooms and the locality were gone?
As to that pincushion made of crimson satin, ornamented with gold beads
and frilled with thread-lace, I had the same right to know it as to
know the screens—I had made it myself. Rising with a start from the
bed, I took the cushion in my hand and examined it. There was the
cipher “L. L. B.” formed in gold beds, and surrounded with an oval
wreath embroidered in white silk. These were the initials of my
godmother’s name—Louisa Lucy Bretton.
“Am I in England? Am I at Bretton?” I muttered; and hastily pulling up
the blind with which the lattice was shrouded, I looked out to try and
discover _where_ I was; half-prepared to meet the calm, old, handsome
buildings and clean grey pavement of St. Ann’s Street, and to see at
the end the towers of the minster: or, if otherwise, fully expectant of
a town view somewhere, a rue in Villette, if not a street in a pleasant
and ancient English city.
I looked, on the contrary, through a frame of leafage, clustering round
the high lattice, and forth thence to a grassy mead-like level, a
lawn-terrace with trees rising from the lower ground beyond—high
forest-trees, such as I had not seen for many a day. They were now
groaning under the gale of October, and between their trunks I traced
the line of an avenue, where yellow leaves lay in heaps and drifts, or
were whirled singly before the sweeping west wind. Whatever landscape
might lie further must have been flat, and these tall beeches shut it
out. The place seemed secluded, and was to me quite strange: I did not
know it at all.
Once more I lay down. My bed stood in a little alcove; on turning my
face to the wall, the room with its bewildering accompaniments became
excluded. Excluded? No! For as I arranged my position in this hope,
behold, on the green space between the divided and looped-up curtains,
hung a broad, gilded picture-frame enclosing a portrait. It was
drawn—well drawn, though but a sketch—in water-colours; a head, a boy’s
head, fresh, life-like, speaking, and animated. It seemed a youth of
sixteen, fair-complexioned, with sanguine health in his cheek; hair
long, not dark, and with a sunny sheen; penetrating eyes, an arch
mouth, and a gay smile. On the whole a most pleasant face to look at,
especially for those claiming a right to that youth’s
affections—parents, for instance, or sisters. Any romantic little
school-girl might almost have loved it in its frame. Those eyes looked
as if when somewhat older they would flash a lightning-response to
love: I cannot tell whether they kept in store the steady-beaming shine
of faith. For whatever sentiment met him in form too facile, his lips
menaced, beautifully but surely, caprice and light esteem.
Public-domain text, read in full here on John Shaqi.
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