Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
Two hot, close rooms thus became my world; and a crippled old woman, my
mistress, my friend, my all. Her service was my duty—her pain, my
suffering—her relief, my hope—her anger, my punishment—her regard, my
reward. I forgot that there were fields, woods, rivers, seas, an
ever-changing sky outside the steam-dimmed lattice of this sick
chamber; I was almost content to forget it. All within me became
narrowed to my lot. Tame and still by habit, disciplined by destiny, I
demanded no walks in the fresh air; my appetite needed no more than the
tiny messes served for the invalid. In addition, she gave me the
originality of her character to study: the steadiness of her virtues, I
will add, the power of her passions, to admire; the truth of her
feelings to trust. All these things she had, and for these things I
clung to her.
For these things I would have crawled on with her for twenty years, if
for twenty years longer her life of endurance had been protracted. But
another decree was written. It seemed I must be stimulated into action.
I must be goaded, driven, stung, forced to energy. My little morsel of
human affection, which I prized as if it were a solid pearl, must melt
in my fingers and slip thence like a dissolving hailstone. My small
adopted duty must be snatched from my easily contented conscience. I
had wanted to compromise with Fate: to escape occasional great agonies
by submitting to a whole life of privation and small pains. Fate would
not so be pacified; nor would Providence sanction this shrinking sloth
and cowardly indolence.
One February night—I remember it well—there came a voice near Miss
Marchmont’s house, heard by every inmate, but translated, perhaps, only
by one. After a calm winter, storms were ushering in the spring. I had
put Miss Marchmont to bed; I sat at the fireside sewing. The wind was
wailing at the windows; it had wailed all day; but, as night deepened,
it took a new tone—an accent keen, piercing, almost articulate to the
ear; a plaint, piteous and disconsolate to the nerves, trilled in every
gust.
Public-domain text, read in full here on John Shaqi.
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