The Æneid, like the Iliad and Odyssey, is a Tale of Troy. The
fascination of that remarkable cycle of legend had not weakened after
the lapse of ten centuries. Virgil not only set himself deliberately to
imitate Homer in his method of poetical treatment, but he goes to him
for his subject. He even makes his own poem, in some sort, a sequel to
the Iliad--at least as much so as the Odyssey is. As the subject of this
latter poem is the wanderings and final establishment in his native
country of the Greek hero Ulysses after victory, so Virgil gives us the
story of the escape of a Trojan hero from the ruin of his city, and the
perils by land and sea which he encountered, until his final settlement
in the distant west, in the land which the gods had promised him. Æneas,
like Ulysses, is described as a man of many woes and sufferings; and
like him, though he has the justice and the deliberate counsels of
heaven all on his side, the enmity of one angry deity is permitted to
vex and thwart him for many long years. This Æneas--reputed son of the
goddess Venus by a mortal husband, Anchises--had played no unimportant
part in the defence of Troy. Had we not been told that King Priam had no
less than fifty sons, it might have been said that he stood very near
the throne. For he was the representative of the younger branch of the
house of Dardanus--the family of Assaracus--as Priam was of the elder
branch, that of Ilus.[13] A sort of half-mysterious glory is cast round
him in the Iliad. He is there addressed as “counsellor of the Trojans;”
they honoured him, we are told, “equally with the godlike Hector;” and
Neptune is made to utter a prophecy that Jupiter has rejected the house
of Priam, but that “Æneas, and his sons, and his sons’ sons” should
hereafter reign over the Trojans.”[14] Some Homeric critics have even
fancied that they detected, in some passages of Homer’s poem, a jealousy
between Æneas and the sons of Priam. But this surely arises from reading
Homer by the light of Virgil, and thus anticipating the future turn of
events, when, after the death of Hector and the fall of Priam’s kingdom,
the prince of the house of Assaracus should rebuild the Trojan fortunes
on the far-off shores of Italy.
Like Homer, Virgil dashes at once into the heart of his story. This is
how he introduces his hero:--
“Arms and the man I sing, who first,
By fate of Ilian realm amerced,
To fair Italia onward bore,
And landed on Lavinium’s shore.”[15]
Public-domain text, read in full here on John Shaqi.
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