THE POET. Publius Virgilius Maro--such was his full name, though we have abbreviated the sounding Roman appellatives into the curt English form of “Virgil”--lived in the age when the great Roman Empire was culminating to its fall, but as yet showed little symptom of decay. The emperor under whom he was born was that Octavianus Cæsar, nephew of the great Julius, whose title of “Augustus” gave a name to his own times which has since passed into a common term for the golden age of literature in every nation. In the Augustan age of Rome rose and flourished, in rapid succession, a large proportion of those great writers to whose works we have given the name of classics. This brilliant summer-time of literature was owing to various causes--to the increase of cultivation and refinement, to the leisure and quiet which followed after long years of war and civil commotion; but in part also it was owing to the character of the Roman emperor himself. Both Augustus and his intimate friend and counsellor Mæcenas were the professed patrons of letters and of the fine arts. Mæcenas was of the highest patrician blood of Rome. He claimed descent from the old Etruscan kings or Lucumos--those ancient territorial chiefs who ruled Italy while Rome was yet in her infancy, such as Lars Porsena of Clusium. Clever and accomplished, an able statesman in spite of all his indolence, Mæcenas had immense influence with Augustus. At his splendid palace on the Esquiline Hill--the Holland House of the day--met all the brilliant society of Rome, and his name very soon became a synonym for a liberal patron of art and literature. To be eminent in any branch of these accomplishments was to insure the notice of the minister; and to be a _protégé_ of his was an introduction at once, under the happiest auspices, to the emperor himself. Such good fortune occurred to Virgil early in his life.