Virgin Saints and MartyrsBaring-Gould, S. (Sabine)
Religion
Virgin Saints and Martyrs
Baring-Gould, S. (Sabine)
Christian women saints; Martyrs
The visitor to Monte Cassino now leaves the station at San Germano, and
hires donkeys for the ascent. The steep and stony path winds above the
roofs of the houses of the town, and at every path opens fresh views of
entrancing beauty. The silver thread of the Garigliano lies below, with
towns studded on its banks; long ranges of mountains of the most
beautiful outline break the horizon, billow after billow of intensest
blue, crested as with a foam of snow. Little oratories by the wayside
commemorate incidents in the life of S. Benedict. First comes that of S.
Placidus, the favourite disciple of the patriarch; then that of
Scholastica his sister; then one where he is supposed to have wrought a
miracle; next a cross on a platform that indicates the place where
brother and sister met for the last time—of which more anon. Then a
grating and a cross where S. Benedict knelt to ask God’s blessing before
he laid the foundation stone of his monastery. Benedict had been
thirty-six years a monk before he came to Monte Cassino, and we know
nothing of his sister’s life through all these years, save that she had
maintained a still and holy converse with God. It is most probable that
she had never tarried very far from her brother. Now that he settled at
Monte Cassino, she came and planted herself with a little community of
pious women at the foot of the mountain. Scholastica was as white in
soul, as earnest, as devout as was Benedict. They were alike in
everything save in sex; and she became, as unawares as himself, a mighty
foundress—for if from him houses for men multiplied throughout the
Western world, so was she the mother spiritual of innumerable similar
refuges for holy women.
At Monte Cassino, according to the expression of Pope Urban II., “the
monastic life flowed from the heart of Benedict as from the fountain of
Paradise,” and here it was that he composed his famous rule, that
commenced with the words, “Hearken, O my sons” (_Ausculta o fili_).
When he drew it up, not a notion came into his head that he was doing a
work that would last, a work that was absolutely needed for the times,
and without which the barbarians would never have been tamed and
regenerated, and a new civilisation superior to the old rise out of the
ashes of that which expired.
Public-domain text, read in full here on John Shaqi.
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