Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
History
Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
These songs are older than the tambour and the pipe: the girls sing them
without accompaniment. Many have sad themes. But even as tragedy
invades the brightest _fado_ of Portugal, so here a tripping flexible
gait overbears the pathos. The music bespeaks a clever, winning people.
It has mobility, but it is not plastic. It has the nature of sun
splintered on cloud or running upon water, of the patter of rain on
house-tops, of waves pelting the hull of a sail-boat. It is a music of
light, of surface-patterns of light. On all the earth, there is no music
stranger to that of Spain--to the plastic, sculptural, soul-deep song of
Spain.
It is good music: its mobile patterns are abstracted into grace and
hardness: its swiftness never blurs, its poignance does not become
sentimental. It is not deep music. It remains of the periphery, and its
moods are varieties of reflection, rather than of creation. The Basque
remains _one_. What varies is the circumstance of life; so he wards it
off, he holds it well outside him. Through a hundred ages, Spain has
moved in a processional whose faiths and passions the Spaniard has
absorbed. But the Basque shuts out. So his song--trilling, skipping,
flashing in color and light--is a music of intimations, rather than of
experience.
Was this pagan people first enticed to become Catholic, because of the
occasions offered by a Calendar of Saints for singing and for dancing?
Every church festival is a _fiesta_, a _romería_ for the Basque. The
fiesta of San Iñigo de Loyola is one of the great days of the land, for
Iñigo Lopez de Recalde, founder of the Society of Jesus, was a Basque.
The day of the author of the ruthless Exercises, of the chronicler of
Hell, becomes a day of merriment: foot races, water races, trials of
strength lead up to the climax--the contests in the arts of song and
dance. The Spaniard is no sportsman. His bull fight is an ordeal and an
art. His games are pretexts for gambling. His Carnival is a means of
fierce release for the instincts repressed by morality, caste and honor.
But the Basque is a sportsman. He is incapable of the true carnival
spirit. He turns his feast-days into sport-days.
Public-domain text, read in full here on John Shaqi.
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