Virginia Architecture in the Seventeenth CenturyForman, Henry Chandlee
History
Virginia Architecture in the Seventeenth Century
Forman, Henry Chandlee
Architecture -- Virginia -- History -- 17th century; Architecture, Colonial -- Virginia
Thirty-seven years before the English established Jamestown, a Spanish
Jesuit and other missionaries from Florida erected (1570), according to
the best authority, a hut and small chapel in the James-York region of
what later became Virginia. These buildings may have resembled the crude
St. Augustine mission of 1566, the earliest Spanish church in this
country, which was constructed of vertical plank walls and with a gable
roof. No trace of these two structures has ever been found, but they
constitute a short Spanish chapter in the history of early Virginia
architecture.
II
THE ENGLISH VERNACULAR AT A GLANCE
As we have seen, the first English colonists, arriving in 1607 from
across the sea, to construct James Fort in Virginia, encountered a
native architecture flourishing about them. In establishing that outpost
in the New World, which was to become the first permanent English
settlement on this side of the Atlantic, as well as the beginning of the
British Empire--now the Commonwealth,--they brought with them a
knowledge of, and skill in, English architecture. At that time, the
beginning of the seventeenth century, architecture in Britain had
reached a very high level of culture--witness the great minsters, like
Lincoln and York, or the great castles, like Windsor and Hampton Court.
Without an elementary knowledge of the English vernacular, no one can
fully understand the early English architecture of Virginia. Besides,
contrary to popular belief up to this very day, Virginia architecture
was much more English than has been supposed.
The Britain of 1600 was a country of fortified manors, battlemented
castles, thatched and wattled farmhouses, picturesque chimneystacks,
half-timber work, winding tower staircases, and tracery-windowed abbeys,
minsters, and little parish churches. For the most part the spirit of
this building work was informal, romantic, and naïve; it partook of
things not according to rule; it breathed Chaucer.
In short, Britain at that period was a land where _medieval
architecture_ flourished almost everywhere.
Now what is this Medieval Style which lasted in England more than a
thousand years? It comprises three chief divisions: Anglo-Saxon, Norman,
and Gothic. Yet the great English Gothic Style is itself subdivided into
styles based on window tracery which are called "Early English,"
"Decorated," "Perpendicular," and "Tudor." Of main concern to us in this
essay is that last subdivision, the "Tudor,"--also called "Late Gothic"
or "Late Medieval",--which was chiefly centered around the Court of King
Henry VIII (1509-1547). It may be necessary to remind the reader that
Henry, wife-lover and neck-chopper, was an enthusiastic builder, who
initiated in England a domestic architecture in which the desire for
comfort was paramount. No better homes have been built in England than
at the height of Tudor influence.
Public-domain text, read in full here on John Shaqi.
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