That some of these parish churches in Virginia had interiors which were richly furnished is evident from the description of the builder's work on one of them, the frame "Poplar Spring Church," (1677), Gloucester County. Father Time has unfortunately done away with this shrine, but we do know that its walls and ceiling were lathed and plastered, and that the chancel, fifteen feet long, was to be divided from the nave by a wooden _rood screen_--a "Screen to be run Crosse the church," and to have "ballisters." In the medieval English church the rood screen is the name given to the chancel or choir screen when it supported the "rood," a large cross. It was customary to build such a screen in three parts: a base comprising panelled walls as high as the pews, a middle section with a row of wood balusters set closely together, and a top part of pierced woodwork--that is, traceried work--and heavy cornice. [Illustration: Elements of the Typical Medieval Church in Va.] At "Poplar Spring Church" there were double pews built on each side of the chancel abutting the rood screen. Also set against the rood screen was another double pew, this one between the pulpit in the nave and the screen. The rest of the pews in the church, on both sides of the aisle, were double and had panelled backs. The pulpit itself was hexagonal and a three-decker affair. There was a six-foot space permitted for the reading desk, set eighteen inches above the floor, and for the passage into the pulpit. Half way up were the minister's pew and desk. The church was also the proud possessor of a flowered, crimson, velvet pulpit cloth, a silver communion service, and a drawing of cherubim, presumably upon the altarpiece. Although it was customary to place wainscoted pews within the chancel, the "Second Lynnhaven Church," of 1692, Princess Anne County, had also in the chancel several benches, which were used by the parish poor. That all seventeenth-century churches in the Old Dominion were not of brick or wood is shown by the "Second York Church" (1697), now Grace Church, Yorktown, which was constructed of native marl. The Transitional Style of architecture, which, as we have seen, greatly influenced rural dwellings from about 1680 to about 1730, is marked in the Virginia church chiefly by the doorway designs. The earliest motif of a brick doorway is that plain, round-arched one on the entrance to the Jamestown Brick Church belfry. By 1700, brick doorways were becoming transitional: a good example is that at "Ware Church" (perhaps 1715), Gloucester County, which is flanked by brick pilasters and an arch bounded by a shallow hood--the whole made up of rubbed or gauged brick.