The overseer’s daughter poured out tea behind a great silver urn, while
on her right hand a monstrous cut-glass flagon foamed with richest milk.
“Positively artistic,” thought Roden, feeling a certain respect in his
British breast for this little maiden of Virginia who could evolve out
of her own country-bred brain effects so charming. “It’s a beastly
pity!” he told himself, though in what the pity consisted he could not
quite have told any one else, unless perhaps that a being so gifted with
a talent for instrumental music, and the setting forth of appetizing
supper-tables, should be hemmed in from further progress by the scarlet
soil of her native State, and should murder his sovereign’s language with
ruthless regularity by beheading some words and cutting the remainder in
two.
He also pondered somewhat as to the way in which Virginian overseers and
their children expected to be treated by resident foreigners. He noticed
that the girl ate nothing herself, sitting with her hand in her lap after
she had poured out his cup of tea, and pulling idly at the frayed edge of
the table-cloth, with eyes downcast. He wished very much that he knew how
to address her, and was casting about in his mind as to how he might find
out her surname without being rude, when she answered him directly.
“My name is Virginia”--she said “Faginia”--but it came softly to the
ear--“Virginia Herrick.”
“They ought to have called you ‘Julia,’ Miss Herrick,” said the young
Englishman, gravely regarding her grave face.
“Why?” she said, with her swift change from listless to alert--“why ought
they? It’s a hijeous name, I think.”
“It isn’t very pretty--not near so pretty as ‘Faginia,’” said Roden,
gallantly; “but there was a fellow once called Herrick who was always
writing songs to ‘Julia.’”
“Oh,” said the girl, with a sudden dawning in her sombre eyes, “that’s
the man wrote ‘To Daffodils’ and ‘Primroses’ and things, ain’t it?”
“That’s the man,” he said.
“Well,” she replied, slowly, “I don’t see why I ought to be called Julia.
Her last name wa’n’t Herrick, ’cause he wouldn’t ’a’ written those kynder
things to his sister, and a man wouldn’t ’a’ taken th’ trouble to write
songs to’s wife.”
“Why?” said Roden, fixing on her his eyes, at whose blueness she began to
wonder in a vague way. Thus looking out from the young man’s sunburnt,
weather-marked face they reminded her of some vivid, sky-colored flower
springing into sudden azure among brown summer grasses.
“Why?” he repeated. “Are all Virginian husbands so ungallant to their
wives?”
“So what?” she said, contracting her level brows.
“So rude, so careless of their wives.”
“Oh, I reckon so,” she made answer. “I don’t know much ’bout men ’n’
their wives. My father’s died when I was born, an’ somehow I don’t take
much to women, nor they tuh me. But I know ’nuff,” she supplemented, “to
know a man ain’t goin’ to make a fuss over ’s wife.”
Public-domain text, read in full here on John Shaqi.
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