Virginia: the Old Dominion: As seen from its colonial waterway, the historic river James, whose every succeeding turn reveals country replete with monuments and scenes recalling the march of history and its figures from the days of Captain John Smith to the present timeHutchins, Frank W.
History
Virginia: the Old Dominion: As seen from its colonial waterway, the historic river James, whose every succeeding turn reveals country replete with monuments and scenes recalling the march of history and its figures from the days of Captain John Smith to the present time
Hutchins, Frank W.
Historic buildings -- Virginia; Houseboats; James River (Va.)
However, no one could fail to understand Aunt Patsy's position, and to
heartily agree with her, when she came to explain her marital paradox.
"De way 'tis is dis way," she said. "What I calls a _husban_' is one
dat goes out, he do, an' gethahs up" (here, a sweeping gesture with the
apron, suggestive of lavish ingathering), "gethahs up things an' brings
'em in to me. But what I calls _havin' a man aroun'_ is whar he sets by
de fiah and smokes he pipe, while I goes out an' wuks an' brings things
home, an' he eats what I gives him. An' dat's how come I been married
five times, an' I done had two husban's."
[Illustration: BRICK OVEN IN THE BAKE-ROOM.]
Before the old oak chest was opened for us, that day at Shirley, we
knew that this colonial home was rich in antique silver. Yet, the
family speak of the many pieces as "remnants," because of the still
greater number lost at the time of the war. The plate was sent for
safe-keeping to a man in Richmond who was afterward able to account for
but a small part of it. Evidently, the Hills and the Carters went far
in following the old colonial custom of investing in household silver.
And as an investment the purchase of this ware was largely regarded in
those days; family plate being deemed one of the best forms in which to
hold surplus wealth.
Different periods are represented in the old pieces yet remaining at
Shirley. There are the graceful, classic types of the days of the
Georges; the earlier ornate, rococo forms; and the yet earlier massive
styles of the time of Queen Anne and long before. Among the most
ancient pieces, are heavy tankards that remind one of the long ago,
when such great communal cups went round from merry lip to merry
lip--microbes all unknown. The numerous spoons too speak of the time
when there were no forks to share their labours. Most of the silver
remaining to-day is engraved with the coat of arms of the Carters.
Suggestive of the days when colonial belles were toasted about
Shirley's table, are the old punch bowl and the punch strainer and the
wine coasters; though a more noteworthy object, having the same
associations, is an antique mahogany wine chest with many of the
original cut glass bottles still in its compartments.
[Illustration: SOME NOTEWORTHY PIECES OF OLD SHIRLEY PLATE.]
And looking at Shirley's old silver in Shirley's old dining-room, we
thought of the lavish colonial entertainments in which both had played
their part. What hospitable places were those early planters' homes! As
courts, assemblies, races, funerals, weddings, and festivals took the
people up and down the country, they found few inns; but, instead, at
every great plantation, wide-spreading roofs and ever-open doors. The
spirit of welcome even stood at the gates and laid hands upon the
passing traveller, drawing him up the shady avenues and into the
hospitable homes.
Public-domain text, read in full here on John Shaqi.
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