Virginia: the Old Dominion: As seen from its colonial waterway, the historic river James, whose every succeeding turn reveals country replete with monuments and scenes recalling the march of history and its figures from the days of Captain John Smith to the present timeHutchins, Frank W.
History
Virginia: the Old Dominion: As seen from its colonial waterway, the historic river James, whose every succeeding turn reveals country replete with monuments and scenes recalling the march of history and its figures from the days of Captain John Smith to the present time
Hutchins, Frank W.
Historic buildings -- Virginia; Houseboats; James River (Va.)
In the days of the colonial Carters (who, through a complicated network
of intermarriages, were cousins to all the rest of Virginia), Shirley
must often have been full to overflowing.
And, along with our thoughts of Shirley's hospitality, came the
recollection of a pretty story that had been told to us one day at
Brandon by Miss Mary Lee, daughter of General Robert E. Lee. It was a
story of one of the merry, old-time gatherings about Charles Carter's
long table in the Shirley dining-room. Among the guests was a dashing
young cavalry officer who had won fame and the rank of general in the
Revolutionary War; and who, in his unsatisfied military ardour, was
contemplating joining the Revolutionary Army of France. But just now,
he was contemplating only his host and his dinner.
Suddenly, he became aware of a flushed and charming maiden in distress.
She had lifted a great cut glass dish filled with strawberries, and it
was more than her little hands could hold. She strove to avert a crash;
and, just in time, the gallant young General caught the appealing look
from the dark eyes and the toppling dish from the trembling hands. But
in saving the bowl and the berries, he lost his heart.
And the maiden was Anne Hill Carter, daughter of the genial host; and
the young General was "Light Horse Harry" Lee. The dreams of further
glory on French battlefields were abandoned; and there was another
feast at Shirley when bridal roses of June were in bloom. The young
people went to live at Stratford, the ancestral home of the Lees; and
there was born their famous son, Robert E. Lee.
As Shirley's old dining-room thus brought to our minds that greatest
Virginian of our day, so it brought to mind the greatest Virginian of
all days; for, even as we looked at silver and thought of love stories,
a life-size portrait of George Washington, by Charles Wilson Peale,
stood looking down upon us from the panelled wall.
[Illustration: PEALE'S PORTRAIT OF GEORGE WASHINGTON.]
It is a noted and invaluable canvas that hangs there at Shirley, and it
is doubtless a good likeness of the Father of our Country; but it is
not just the George Washington that most of us have in our mind's eye.
When the average American thinks of hatchets and cherry trees and
abnormal truthfulness, the face that rises before him is that benign
and fatherly one that he has seen a thousand times in the popular
reproductions of the portrait by Gilbert Stuart. Just as for
generations only the good has been told of George Washington, so has
this handsomest picture (doubtless a trifle flattering) always been the
popular one.
However, in this day, when the ideal George Washington of story is
being ruthlessly brushed aside in the search for the real
flesh-and-blood man, any canvas also that has idealized him is somewhat
in jeopardy.
Public-domain text, read in full here on John Shaqi.
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