Virginia: the Old Dominion: As seen from its colonial waterway, the historic river James, whose every succeeding turn reveals country replete with monuments and scenes recalling the march of history and its figures from the days of Captain John Smith to the present timeHutchins, Frank W.
History
Virginia: the Old Dominion: As seen from its colonial waterway, the historic river James, whose every succeeding turn reveals country replete with monuments and scenes recalling the march of history and its figures from the days of Captain John Smith to the present time
Hutchins, Frank W.
Historic buildings -- Virginia; Houseboats; James River (Va.)
It is well that the Washington of Sparks and of Irving and of Stuart
should be superseded by the truer Washington of Mitchell and of Ford
and of Peale; but the result will be that, for a while, the country
will scarcely recognize its own father.
Always at Shirley our interest came back to the old colonial hall. Of
course, to get the good of it, one had to set one's eyes so as to throw
out of focus many marks of modernism; but that adjustment would almost
come of itself with a little study of quaint transoms, or of ancient
hatchments, or, above all, of the time-worn stairway.
Why is it that the spirit of the long-ago so clings about an old
stairway? Why should the empty stair seem to remember so much, to
suggest so much, of a life that came to it only in fitful passings and
that left nothing of itself behind?
There were no signs of that long by-gone life upon Shirley's stairway,
save for a dimming of the old rail where countless hands--strong,
feeble, fair--had lightly rested or, more helpless, clung; and save for
that worn trail of the generations that followed up the dull, dark
treads. But even these had much to tell of the passings for nearly two
centuries and a half up and down this household highway: of the
masterful tread of spur-shod boots, the dancing of the belle's
slim-slippered feet, the pompous double steps of bumpy baby shoes, the
gouty stump of old grandsire, and the faithful shamble of the black boy
at his heels.
That day (regretfully our last in this colonial home) not only the
stairway but all of the old house seemed inclined to become
reminiscent. Nautica noticed this in the quiet drawing-room that would
keep bringing up by-gone times, and, she insisted, by-gone people too.
In the great hall, even the Commodore felt the mood of old Shirley and
the presence of a life that all seemed natural enough, but that must
have come a good ways out of the past.
On the staircase, despite the dim light over there (or because of it),
one could even catch sight of a shadowy old-time company.
There were stately figures passing up and down: the old lords of the
wilderness in velvet coats and huge wigs, and ladies of the wilderness
too in rich brocades and laced stomachers. There were many slender and
youthful figures. Charmingly odd and quaint were the merry groups of
girls, catching and swaying upon the shadowy stair; dainty ruffles
peeping through the balusters; laughing faces bending above the dark,
old rail. And fine indeed were the gallants that did them homage; those
young colonials of bright velvets and flowered waistcoats and lace
ruffles and powdered periwigs.
Public-domain text, read in full here on John Shaqi.
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