Burnet, who, though a connection of Claverhouse’s, is very far from
displaying any partiality for him, allows that he was ‘a man of good
parts.’ Dalrymple records that ‘Dundee had inflamed his mind from his
earliest youth, by the perusal of antient poets, historians and orators,
with the love of the great actions they praise and describe.’ Finally,
there is the testimony of the ‘officer’ who wrote the ‘Memoirs of
Dundee’ published in 1714, and who makes direct reference to his
‘liberal education in humanity and in mathematicks.’
The question of Claverhouse’s scholarship is not one of special moment
in itself; yet it acquires some interest from the animated controversy
to which it has given rise, and which originated in a hasty comment made
by Sir Walter Scott. The novelist, after referring to a newly published
letter, casually added, ‘Claverhouse, it may be observed, spells like a
chambermaid.’ Subsequent writers, interpreting this into a general
estimate of Dundee’s educational acquirements, repeated the petty and
irrelevant charge, in season and out of season, almost as though the
quality of his orthography constituted a test by which his whole
character was to be estimated. That Claverhouse was erratic in his
spelling cannot be denied. It may be questioned, on the other hand,
whether, in this respect, he displayed greater disregard for orthography
than the average gentleman of his day. If he wrote ‘I hop’ for ‘I hope,’
‘deuk’ for ‘Duke,’ ‘seased’ for ‘seized,’ ‘fisik’ for ‘physic,’ and
‘childring’ for ‘children,’ it does not require a very extensive
acquaintance with the correspondence of the seventeenth century to know
that dukes and earls, and even lawyers and divines, indulged in vagaries
equally startling. But, if the arbitrary and occasionally whimsical
spelling of his letters affords no proof of exceptional ignorance, the
vigour, clearness, and directness of the style in which they are written
give them a place rather above than below the epistolatory standard of
the time.
Public-domain text, read in full here on John Shaqi.
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