The silence descended again; the mutter of the distant guns was still mute, and some slight creaking from my shirt front, as I breathed, alone broke it. And then the whispering from the gramophone trumpet began again, this time much louder than it had been before--it was as if the speaker (still whispering) had advanced a dozen yards--but still blurred and indistinct. More unmistakable, too, was it that the whisper was that of a human voice, and every now and then, whether fancifully or not, I thought I caught a word or two. For a moment it was silent altogether, and then with a sudden inkling of what I was listening to I heard something begin to sing. Though the words were still inaudible there was melody, and the tune was “Tipperary.” From that convolvulus-shaped trumpet there came two bars of it. “And what do you hear now?” cried Horton with a crack of exultation in his voice. “Singing, singing! That’s the tune they all sang. Fine music that from a dead man. Encore! you say? Yes, wait a second, and he’ll sing it again for you. Confound it, I can’t get on to the place. Ah! I’ve got it: listen again.” Surely that was the strangest manner of song ever yet heard on the earth, this melody from the brain of the dead. Horror and fascination strove within me, and I suppose the first for the moment prevailed, for with a shudder I jumped up. “Stop it!” I said. “It’s terrible.” His face, thin and eager, gleamed in the strong ray of the lamp which he had placed close to him. His hand was on the metal rod from which depended the spiral spring and the needle, which just rested on that fragment of grey stuff which I had seen in the glass vessel. “Yes, I’m going to stop it now,” he said, “or the germs will be getting at my gramophone record, or the record will get cold. See, I spray it with carbolic vapour, I put it back into its nice warm bed. It will sing to us again. But terrible? What do you mean by terrible?”