Visible and InvisibleBenson, E. F. (Edward Frederic)
Science
Visible and Invisible
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
Here, then, in Francis Urcombe, was a delightful neighbour to one
who, like myself, has an uneasy and burning curiosity about what he
called the “misty and perilous places”; and this last spring we had a
further and most welcome addition to our pleasant little community,
in the person of Mrs. Amworth, widow of an Indian civil servant.
Her husband had been a judge in the North-West Provinces, and after
his death at Peshawar she came back to England, and after a year in
London found herself starving for the ampler air and sunshine of the
country to take the place of the fogs and griminess of town. She had,
too, a special reason for settling in Maxley, since her ancestors up
till a hundred years ago had long been native to the place, and in
the old church-yard, now disused, are many grave-stones bearing her
maiden name of Chaston. Big and energetic, her vigorous and genial
personality speedily woke Maxley up to a higher degree of sociality
than it had ever known. Most of us were bachelors or spinsters or
elderly folk not much inclined to exert ourselves in the expense and
effort of hospitality, and hitherto the gaiety of a small tea-party,
with bridge afterwards and goloshes (when it was wet) to trip home in
again for a solitary dinner, was about the climax of our festivities.
But Mrs. Amworth showed us a more gregarious way, and set an example
of luncheon-parties and little dinners, which we began to follow. On
other nights when no such hospitality was on foot, a lone man like
myself found it pleasant to know that a call on the telephone to Mrs.
Amworth’s house not a hundred yards off, and an inquiry as to whether
I might come over after dinner for a game of piquet before bed-time,
would probably evoke a response of welcome. There she would be, with a
comrade-like eagerness for companionship, and there was a glass of port
and a cup of coffee and a cigarette and a game of piquet. She played
the piano, too, in a free and exuberant manner, and had a charming
voice and sang to her own accompaniment; and as the days grew long
and the light lingered late, we played our game in her garden, which
in the course of a few months she had turned from being a nursery for
slugs and snails into a glowing patch of luxuriant blossoming. She
was always cheery and jolly; she was interested in everything, and in
music, in gardening, in games of all sorts was a competent performer.
Everybody (with one exception) liked her, everybody felt her to bring
with her the tonic of a sunny day. That one exception was Francis
Urcombe; he, though he confessed he did not like her, acknowledged that
he was vastly interested in her. This always seemed strange to me, for
pleasant and jovial as she was, I could see nothing in her that could
call forth conjecture or intrigued surmise, so healthy and unmysterious
a figure did she present. But of the genuineness of Urcombe’s interest
there could be no doubt; one could see him watching and scrutinising
her.
Public-domain text, read in full here on John Shaqi.
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