Visible and InvisibleBenson, E. F. (Edward Frederic)
Science
Visible and Invisible
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
“That’s better,” he said, “and the room’s warming up well. But there’s
no sign of pulse yet. Go on stoking, will you, till the thermometer on
the wall there registers a hundred degrees.”
When next, on my journey from the coal-cellar, I looked, two more
pieces of bone lay beside the one I had seen extracted, and presently
referring to the thermometer, I saw that between the oil-stove and
the roaring fire and the electric radiator, I had raised the room to
the temperature he wanted. Soon, peering fixedly at the seat of his
operation, he felt for her pulse again.
“Not a sign of returning vitality,” he said, “and I’ve done all I can.
There’s nothing more possible that can be devised to restore her.”
As he spoke the zeal of the unrivalled surgeon relaxed, and with a sigh
and a shrug he rose to his feet and mopped his face. Then suddenly the
fire and eagerness blazed there again. “The gramophone!” he said. “The
speech centre is close to where I’ve been working, and it is quite
uninjured. Good heavens, what a wonderful opportunity. She served me
well living, and she shall serve me dead. And I can stimulate the motor
nerve-centre, too, with the second battery. We may see a new wonder
to-night.”
Some qualm of horror shook me.
“No, don’t!” I said. “It’s terrible: she’s just dead. I shall go if you
do.”
“But I’ve got exactly all the conditions I have long been wanting,”
said he. “And I simply can’t spare you. You must be witness: I must
have a witness. Why, man, there’s not a surgeon or a physiologist in
the kingdom who would not give an eye or an ear to be in your place
now. She’s dead. I pledge you my honour on that, and it’s grand to be
dead if you can help the living.”
Once again, in a far fiercer struggle, horror and the intensest
curiosity strove together in me.
“Be quick, then,” said I.
“Ha! That’s right,” exclaimed Horton. “Help me to lift her on to the
table by the gramophone. The cushion too; I can get at the place more
easily with her head a little raised.”
He turned on the battery and with the movable light close beside him,
brilliantly illuminating what he sought, he inserted the needle of the
gramophone into the jagged aperture in her skull. For a few minutes,
as he groped and explored there, there was silence, and then quite
suddenly Mrs. Gabriel’s voice, clear and unmistakable and of the normal
loudness of human speech, issued from the trumpet.
“Yes, I always said that I’d be even with him,” came the articulated
syllables. “He used to knock me about, he did, when he came home
drunk, and often I was black and blue with bruises. But I’ll give him a
redness for the black and blue.”
The record grew blurred; instead of articulate words there came from
it a gobbling noise. By degrees that cleared, and we were listening to
some dreadful suppressed sort of laughter, hideous to hear. On and on
it went.
“I’ve got into some sort of rut,” said Horton. “She must have laughed a
lot to herself.”
Public-domain text, read in full here on John Shaqi.
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