Visible and InvisibleBenson, E. F. (Edward Frederic)
Science
Visible and Invisible
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
Mrs. Forrest was leaning back at ease with her eyes open and her hands
on the arms of her chair. Then her eyes closed and a violent trembling
seized her. That passed, and shortly afterwards her head fell forward
and her breathing became very rapid. Presently that quieted to normal
pace again, and she began to speak at first in a scarcely audible
whisper and then in a high shrill voice, quite unlike her usual tones.
I do not think that in all England there was a more disappointed man
than I during the next half-hour. “Starlight,” it appeared, was in
control, and Starlight was a personage of platitudes. She had been a
nun in the time of Henry VII, and her work was to help those who had
lately passed over. She was very busy and very happy, and was in the
third sphere where they had a great deal of beautiful music. We must
all be good, said Starlight, and it didn’t matter much whether we were
clever or not. Love was the great thing; we had to love each other
and help each other, and death was no more than the gate of life, and
everything would be tremendously jolly.... Starlight, in fact, might be
better described as clap-trap, and I began thinking about Parkes....
And then I ceased to think about Parkes, for the shrill moralities
of Starlight ceased, and Mrs. Forrest’s voice changed again. The
stale facility of her utterance stopped and she began to speak, quite
unintelligibly, in a voice of low baritone range. Charles leaned across
the table and whispered to me.
“That’s the new control,” he said.
The voice that was speaking stumbled and hesitated: it was like that
of a man trying to express himself in some language which he knew very
imperfectly. Sometimes it stopped altogether, and in one of these
pauses I asked:
“Can you tell us your name?”
There was no reply, but presently I saw Mrs. Forrest’s hand reach
out for the pencil. Charles put it into her fingers and placed the
writing-pad more handily for her. I watched the letters, in capitals,
being traced. They were made hesitatingly, but were perfectly legible.
“Swallow,” she wrote, and again “Swallow,” and stopped.
“The bird?” I asked.
The voice spoke in answer; now I could hear the words, uttered in that
low baritone voice.
“No, not a bird,” it said. “Not a bird, but it flies.”
I was utterly at sea; my mind could form no conjecture whatever
as to what was meant. And then the pencil began writing again.
“Swallow, swallow,” and then with a sudden briskness of movement, as
if the guiding intelligence had got over some difficulty, it wrote
“Swallow-tail.”
This seemed more abstrusely senseless than ever. The only connection
with swallow-tail in my mind was a swallow-tailed coat, but whoever
heard of a swallow-tailed coat flying?
“I’ve got it,” said Charles. “Swallow-tail butterfly. Is it that?”
Public-domain text, read in full here on John Shaqi.
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