Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
With that, Corte turned to the point of his finger on the map. He
conceived it possible that Carlo Ammiani, a Milanese, had reason to
anticipate the approach of people by whom he, or they, might not wish to
be seen. Had he studied Carlo's face he would have been reassured. The
brows of the youth were open, and his eyes eager with expectation, that
showed the flying forward of the mind, and nothing of knotted distrust or
wary watchfulness. Now and then he would move to the other side of the
mountain, and look over upon Orta; or with the opera-glass clasped in one
hand beneath an arm, he stopped in his sentinel-march, frowning
reflectively at a word put to him, as if debating within upon all the
bearings of it; but the only answer that came was a sharp assent, given
after the manner of one who dealt conscientiously in definite
affirmatives; and again the glass was in requisition. Marco Sana was a
fighting soldier, who stated what he knew, listened, and took his orders.
Giulio Bandinelli was also little better than the lieutenant in an
enterprise. Corte, on the other hand, had the conspirator's head,--a
head like a walnut, bulging above the ears,--and the man was of a
sallying temper. He lay there putting bit by bit of his plot before the
Chief for his approval, with a careful construction, that upon the
expression of any doubt of its working smoothly in the streets of Milan,
caused him to shout a defensive, "But Carlo says yes!"
This uniform character of Ammiani's replies, and the smile of Agostino on
hearing them, had begun to strike the attention of the soldierly Marco
Sana. He ran his hand across his shorn head, and puffed his burnt red
mole-spotted cheeks, with a sidelong stare at the abstracted youth, "Said
yes!" he remarked. "He might say no, for a diversion. He has yeses
enough in his pay to earn a Cardinal's hat. 'Is Milan preparing to
rise?' 'Yes.'--'Is she ready for the work?' 'Yes.'--'Is the garrison on
its guard?' 'Yes.'--'Have you seen Barto Rizzo?' 'Yes.'--'Have the
people got the last batch of arms?' 'Yes.'--And 'Yes,' the secret is
well kept; 'Yes,' Barto Rizzo is steadily getting them together. We may
rely on him: Carlo is his intimate friend: Yes, Yes:--There's a regiment
of them at your service, and you may shuffle them as you will. This is
the help we get from Milan: a specimen of what we may expect!"
Sana had puffed himself hot, and now blew for coolness.
"You are,"--Agostino addressed him,--"philosophically totally wrong, my
Marco. Those affirmatives are fat worms for the catching of fish. They
are the real pretty fruit of the Hesperides. Personally, you or I may be
irritated by them: but I'm not sure they don't please us. Were Carlo a
woman, of course he should learn to say no;--as he will now if I ask him,
Is she in sight? I won't do it, you know; but as a man and a
diplomatist, it strikes me that he can't say yes too often."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account