Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
The old man then said: "I am afraid, my dear Corte, you must accept the
fellowship of a girl as well as of a boy upon this occasion. See! our
Carlo! You recognize that dancing speck below there?--he has joined
himself--the poor lad wishes he could, I dare swear!--to another bigger
speck, which is verily a lady: who has joined herself to a donkey--a
common habit of the sex, I am told; but I know them not. That lady,
signor Ugo, is the signorina Vittoria. You stare? But, I tell you, the
game cannot go on without her; and that is why I have permitted you to
knock the ball about at your own pleasure for these forty minutes."
Corte drew his under-lip on his reddish stubble moustache. "Are we to
have women in a conference?" he asked from eye to eye.
"Keep to the number, Ugo; and moreover, she is not a woman, but a noble
virgin. I discern a distinction, though you may not. The Vestal's fire
burns straight."
"Who is she?"
"It rejoices me that she should be so little known. All the greater the
illumination when her light shines out! The signorina Vittoria is a
cantatrice who is about to appear upon the boards."
"Ah! that completes it." Corte rose to his feet with an air of
desperation. "We require to be refreshed with quavers and crescendos and
trillets! Who ever knew a singer that cared an inch of flesh for her
country? Money, flowers, flattery, vivas! but, money! money! and
Austrian as good as Italian. I've seen the accursed wenches bow
gratefully for Austrian bouquets:--bow? ay, and more; and when the
Austrian came to them red with our blood. I spit upon their polluted
cheeks! They get us an ill name wherever they go. These singers have no
country. One--I knew her--betrayed Filippo Mastalone, and sang the night
of the day he was shot. I heard the white demon myself. I could have
taken her long neck till she twisted like a serpent and hissed. May
heaven forgive me for not levelling a pistol at her head!
If God, my friends, had put the thought into my brain that night!"
A flush had deadened Corte's face to the hue of nightshade.
"You thunder in a clear atmosphere, my Ugo," returned the old man, as he
fell back calmly at full length.
"And who is this signorina Vittoria?" cried Corte.
"A cantatrice who is about to appear upon the boards, as I have already
remarked: of La Scala, let me add, if you hold it necessary."
"And what does she do here?"
"Her object in coming, my friend? Her object in coming is, first, to
make her reverence to one who happens to be among us this day; and
secondly, but principally, to submit a proposition to him and to us."
"What's her age?" Corte sneered.
Public-domain text, read in full here on John Shaqi.
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