Agostino had talked on to let her gain confidence. When he was silent she sang from memory. It was a song of flourishes: one of those be- flowered arias in which the notes flicker and leap like young flames. Others might have sung it; and though it spoke favourably of her aptitude and musical education, and was of a quality to enrapture easy, merely critical audiences, it won no applause from these men. The effect produced by it was exhibited in the placid tolerance shown by the uplifting of Ugo Corte's eyebrows, which said, "Well, here's a voice, certainly." His subsequent look added, "Is this what we have come hither to hear?" Vittoria saw the look. "Am I on my trial before you?" she thought; and the thought nerved her throat. She sang in strong and grave contralto tones, at first with shut eyes. The sense of hostility left her, and left her soul free, and she raised them. The song was of Camilla dying. She pardons the treacherous hand, commending her memory and the strength of her faith to her husband:-- "Beloved, I am quickly out of sight: I pray that you will love more than my dust. Were death defeat, much weeping would be right; 'Tis victory when it leaves surviving trust. You will not find me save when you forget Earth's feebleness, and come to faith, my friend, For all Humanity doth owe a debt To all Humanity, until the end." Agostino glanced at the Chief to see whether his ear had caught note of his own language. The melancholy severity of that song of death changed to a song of prophetic triumph. The signorina stood up. Camilla has thrown off the mask, and has sung the name "Italia!" At the recurrence of it the men rose likewise. "Italia, Italia, shall be free!" Vittoria gave the inspiration of a dying voice: the conquest of death by an eternal truth seemed to radiate from her. Voice and features were as one expression of a rapture of belief built upon pathetic trustfulness. "Italia, Italia shall be free!" She seized the hearts of those hard and serious men as a wind takes the strong oak-trees, and rocks them on their knotted roots, and leaves them with the song of soaring among their branches. Italy shone about her; the lake, the plains, the peaks, and the shouldering flushed snowridges. Carlo Ammiani breathed as one who draws in fire. Grizzled Agostino glittered with suppressed emotion, like a frosted thorn-bush in the sunlight. Ugo Corte had his thick brows down, as a man who is reading iron matter. The Chief alone showed no sign beyond a half lifting of the hand, and a most luminous fixed observation of the fair young woman, from whom power was an emanation, free of effort. The gaze was sad in its thoughtfulness, such as our feelings translate of the light of evening. She ceased, and he said, "You sing on the night of the fifteenth?" "I do, signore." "It is your first appearance?" She bent her head.