Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
The Piazza d'Armi was the field of Mars of Milan, and an Austrian review
of arms there used to be a tropical pageant. The place was too narrow
for broad manoeuvres, or for much more than to furnish an inspection of
all arms to the General, and a display (with its meaning) to the
populace. An unusually large concourse of spectators lined the square,
like a black border to a vast bed of flowers, nodding now this way, now
that. Carlo and Luciano passed among the groups, presenting the
perfectly smooth faces of young men of fashion, according to the
universal aristocratic pattern handed down to querulous mortals from
Olympus--the secret of which is to show a triumphant inaction of the
heart and the brain, that are rendered positively subservient to elegance
of limb. They knew the chances were in favour of their being arrested at
any instant. None of the higher members of the Milanese aristocracy were
visible; the people looked sullen. Carlo was attracted by the tall
figure of the Signor Antonio-Pericles, whom he beheld in converse with
the commandant of the citadel, out in the square, among chatting and
laughing General officers. At Carlo's elbow there came a burst of
English tongues; he heard Vittoria's English name spoken with animation.
'Admire those faces,' he said to Luciano, but the latter was
interchanging quiet recognitions among various heads of the crowd;
a language of the eyelids and the eyebrows. When he did look round he
admired the fair island faces with an Italian's ardour: 'Their women are
splendid!' and he no longer pushed upon Carlo's arm to make way ahead.
In the English group were two sunny-haired girls and a blue-eyed lady
with the famous English curls, full, and rounding richly. This lady
talked of her brother, and pointed him out as he rode down the line in
the Marshal's staff. The young officer indicated presently broke away
and galloped up to her, bending over his horse's neck to join the
conversation. Emilia Belloni's name was mentioned. He stared, and
appeared to insist upon a contrary statement.
Carlo scrutinized his features. While doing so he was accosted, and
beheld his former adversary of the Motter--one, with whom he had
yesterday shaken hands in the Piazza of La Scala. The ceremony was
cordially renewed. Luciano unlinked his arm from Carlo and left him.
'It appears that you are mistaken with reference to Mademoiselle
Belloni,' said Captain Gambier. 'We hear on positive authority that
she will not appear at La Scala to-night. It's a disappointment; though,
from what you did me the honour to hint to me, I cannot allow myself to
regret it.'
Carlo had a passionate inward prompting to trust this Englishman with the
secret. It was a weakness that he checked. When one really takes to
foreigners, there is a peculiar impulse (I speak of the people who are
accessible to impulse) to make brothers of them. He bowed, and said,
'She does not appear?'
Public-domain text, read in full here on John Shaqi.
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