Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
He knew the exact feeling expressed by it, when one has come violently on
an errand and has done no good.
'A flea, my feathery lad, will set you flying again.'
As it was imperative in Luigi's schemes that Beppo should be set flying
again, he slipped away stealthily, and sped fast into the neighbouring
Corso, where a light English closed carriage, drawn by a pair of the
island horses, moved at a slow pace. Two men were on the driver's seat,
one of whom Luigi hailed to come down then he laid a strip of paper on
his knee, and after thumping on the side of his nose to get a notion of
English-Italian, he wrote with a pencil, dancing upon one leg all the
while for a balance:--
'Come, Beppo, daughter sake, now, at once, immediate,
Beppo, signor.'
'That's to the very extremity how the little signora Inglese would
write,' said Luigi; yet cogitating profoundly in a dubitative twinkle of
a second as to whether it might not be the English habit to wind up a
hasty missive with an expediting oath. He had heard the oath of emphasis
in that island: but he decided to let it go as it stood. The man he had
summoned was directed to take it straightway and deliver it to one who
would be found at the house-door of the Maestro Rocco Ricci.
'Thus, like a drunken sentinel,' said Luigi, folding his arms, crossing
his legs, and leaning back. 'Forward, Matteo, my cherub.'
'All goes right?' the coachman addressed Luigi.
'As honey, as butter, as a mulberry leaf with a score of worms on it!
The wine and the bread and the cream-cheeses are inside, my dainty one,
are they? She must not starve, nor must I. Are our hampers fastened out
side? Good. We shall be among the Germans in a day and a night. I 've
got the route, and I pronounce the name of the chateau very perfectly--
"Schloss Sonnenberg." Do that if you can.'
The unpractised Italian coachman declined to attempt it. He and Luigi
compared time by their watches. In three-quarters of an hour he was to
be within hail of the maestro's house. Thither Luigi quietly returned.
Beppo's place there was vacant.
'That's better than a draught of Asti,' said Luigi.
The lighted windows of the maestro's house, and the piano striking
corrective notes, assured him that the special rehearsal was still going
on; and as he might now calculate on two or three minutes to spare, he
threw back his coat-collar, lifted his head, and distended his chest,
apparently to chime in with the singing, but simply to listen to it. For
him, it was imperative that he should act the thing, in order to
apprehend and appreciate it.
A hurried footing told of the approach of one whom he expected.
'Luigi!'
'Here, padrone.'
'You have the chocolate?'
'Signor Antonio, I have deposited it in the carriage.'
'She is in up there?'
'I beheld her entering.'
Public-domain text, read in full here on John Shaqi.
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