Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
They had no further visit from Barto Rizzo. The woman tended them in the
same unswerving silence, and at whiles that adorable maternity of aspect.
Wilfrid was touched by commiseration for her. He was too bitterly
fretful on account of clean linen and the liberty which fluttered the
prospect of it, to think much upon what her fate might be: perhaps a
beating, perhaps the knife. But the vileness of wearing one shirt two
months and more had hardened his heart; and though he was considerate
enough not to prompt his companion very impatiently, he submitted
desperate futile schemes to him, and suggested--"To-night?--tomorrow?--
the next day?" Rinaldo did not heed him. He lay on his couch like one
who bleeds inwardly, thinking of the complacent faithfulness of that poor
creature's face. Barto Rizzo had sworn to him that there should be a
rising in Milan before the month was out; but he had lost all confidence
in Milanese risings. Ammiani would be removed, if he delayed; and he
knew that the moment his letter reached Lugano, Angelo would start for
Milan and claim to surrender in his stead. The woman came, and went
forth, and Rinaldo did not look at her until his resolve was firm.
He said to Wilfrid in her presence, "Swear that you will reveal nothing
of this house."
Wilfrid spiritedly pronounced his gladdest oath.
"It is dark in the streets," Rinaldo addressed the woman. "Lead us out,
for the hour has come when I must go."
She clutched her hands below her bosom to stop its great heaving, and
stood as one smitten by the sudden hearing of her sentence. The sight
was pitiful, for her face scarcely changed; the anguish was
expressionless. Rinaldo pointed sternly to the door.
"Stay," Wilfrid interposed. "That wretch may be in the house, and will
kill her."
"She is not thinking of herself," said Rinaldo.
"But, stay," Wilfrid repeated. The woman's way of taking breath shocked
and enfeebled him.
Rinaldo threw the door open.
"Must you? must you?" her voice broke.
"Waste no words."
"You have not seen a priest?"
"I go to him."
"You die."
"What is death to me? Be dumb, that I may think well of you till my last
moment."
"What is death tome? Be dumb!"
She had spoken with her eyes fixed on his couch. It was the figure of
one upon the scaffold, knitting her frame to hold up a strangled heart.
"What is death to me? Be dumb!" she echoed him many times on the rise
and fall of her breathing, and turned to get him in her eyes. "Be dumb!
be dumb!" She threw her arms wide out, and pressed his temples and
kissed him.
Public-domain text, read in full here on John Shaqi.
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