Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
"Carlo was angry with the king. He echoed Agostino, but Agostino does
not sting as he did, and Carlo cannot avoid seeing what the king has
sacrificed. Perhaps the Countess d'Isorella has shown him promises of
fresh aid in the king's handwriting. Suffering has made Carlo Alberto
one with the Republicans, if he had other ambitions once. And Carlo
dedicates his blood to Lombardy: he does rightly. Dear countess--my
mother! I have made him wait for me; I will be patient in waiting for
him. I know that Countess d'Isorella is intimate with the king. There
is a man named Barto Rizzo, who thinks me a guilty traitress, and she is
making use of this man. That must be her reason for prohibiting the
marriage. She cannot be false if she is capable of uniting extreme
revolutionary agents and the king in one plot, I think; I do not know."
Vittoria concluded her perfect expression of confidence with this atoning
doubtfulness.
Countess Ammiani obtained her consent that she would not quit her side.
After Violetta had gone, Carlo, though he shunned secret interviews,
addressed his betrothed as one who was not strange to his occupation and
the trial his heart was undergoing. She could not doubt that she was
beloved, in spite of the colourlessness and tonelessness of a love that
appealed to her intellect. He showed her a letter he had received from
Laura, laughing at its abuse of Countess d'Isorella, and the sarcasms
levelled at himself.
In this letter Laura said that she was engaged in something besides
nursing.
Carlo pointed his finger to the sentence, and remarked, "I must have your
promise--a word from you is enough--that you will not meddle with any
intrigue."
Vittoria gave the promise, half trusting it to bring the lost bloom of
their love to him; but he received it as a plain matter of necessity.
Certain of his love, she wondered painfully that it should continue so
barren of music.
"Why am I to pledge myself that I will be useless?" she asked. "You
mean, my Carlo, that I am to sit still, and watch, and wait."
He answered, "I will tell you this much: I can be struck vitally through
you. In the game I am playing, I am able to defend myself. If you enter
it, distraction begins. Stay with my mother."
"Am I to know nothing?"
"Everything--in good time."
"I might--might I not help you, my Carlo?"
"Yes; and nobly too. And I show you the way."
Agostino and Carlo made an expedition to Turin. Before he went, Carlo
took her in his arms.
"Is it coming?" she said, shutting her eyelids like a child expecting
the report of firearms.
He pressed his lips to the closed eyes. "Not yet; but are you growing
timid?"
His voice seemed to reprove her.
She could have told him that keeping her in the dark among unknown
terrors ruined her courage; but the minutes were too precious, his touch
too sweet. In eyes and hands he had become her lover again. The
blissful minutes rolled away like waves that keep the sunshine out at
sea.
Public-domain text, read in full here on John Shaqi.
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