Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
"Grasp your colours tight," said Laura, nodding sarcastic approbation of
such fidelity, and smiling slightly. "There has been no mention of the
king. Countess d'Isorella is a spy and a tool of the Jesuits, taking pay
from all parties--Austria as well, I would swear. Their object is to
paralyze the march on Rome, and she has won Carlo for them. I am told
that Barto Rizzo is another of her conquests. Thus she has a madman and
a fool, and what may not be done with a madman and a fool? However, I
have set a watch on her. She must have inflamed Carlo's vanity. He has
it, just as they all have. There's trickery: I would rather behold the
boy charging at the head of a column than putting faith in this base
creature. She must have simulated well," Laura went on talking to
herself.
"What trickery?" said Vittoria.
"He was in love with the woman when he was a lad," Laura replied, and
pertinently to Vittoria's feelings. This threw the moist shade across
her features.
Beppo in Turin and Luigi on the lake were the watch set on Countess
d'Isorella; they were useless except to fortify Laura's suspicions. The
Duchess of Graatli wrote mere gossip from Milan. She mentioned that Anna
of Lenkenstein had visited with her the tomb of her brother Count Paul at
Bologna, and had returned in double mourning; and that Madame Sedley--
"the sister of our poor ruined Pierson"--had obtained grace, for herself
at least, from Anna, by casting herself at Anna's feet,--and that they
were now friends.
Vittoria felt ashamed of Adela.
When Carlo returned, the signora attacked him boldly with all her
weapons; reproached him; said, "Would my husband have treated me in such
a manner?" Carlo twisted his moustache and stroked his young beard for
patience. They passed from room to balcony and terrace, and Laura
brought him back into company without cessation of her fire of questions
and sarcasms, saying, "No, no; we will speak of these things publicly."
She appealed alternately to Agostino, Vittoria, and Countess Ammiani for
support, and as she certainly spoke sense, Carlo was reduced to gloom and
silence. Laura then paused. "Surely you have punished your bride
enough?" she said; and more softly, "Brother of my Giacomo! you are
under an evil spell."
Carlo started up in anger. Bending to Vittoria, he offered her his hand
to lead her out, They went together.
"A good sign," said the countess.
"A bad sign!" Laura sighed. "If he had taken me out for explanation!
But tell me, my Agostino, are you the woman's dupe?"
"I have been," Agostino admitted frankly.
"You did really put faith in her?"
"She condescends to be so excessively charming."
"You could not advance a better reason."
"It is one of our best; perhaps our very best, where your sex is
concerned, signora."
"You are her dupe no more?"
"No more. Oh, dear no!"
"You understand her now, do you?"
Public-domain text, read in full here on John Shaqi.
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