Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
Their officers stormed at them, and called for Count
Karl and for Weisspriess. The latter replied like a man stifling, but
Count Karl's voice was silent.
"Weisspriess! here, to me!" the captain sang out in Italian.
"Ammiani! here, to me!" was replied.
Vittoria struck her hands together in electrical gladness at her lover's
voice and name. It rang most cheerfully. Her home was in the conflict
where her lover fought, and she muttered with ecstasy, "We have met! we
have met!" The sound of the keen steel, so exciting to dream of,
paralyzed her nerves in a way that powder, more terrible for a woman's
imagination, would not have done, and she could only feebly advance. It
was a spacious moonlight, but the moonlight appeared to have got of a
brassy hue to her eyes, though the sparkle of the steel was white; and
she felt too, and wondered at it, that the cries and the noise went to
her throat, as if threatening to choke her. Very soon she found herself
standing there, watching for the issue of the strife, almost as dead as a
weight in scales, incapable of clear vision.
Matched against the Tyrolese alone, the volunteers had an equal fight in
point of numbers, and the advantage of possessing a leader; for Count
Karl was down, and Weisspriess was still entangled in the woman's arms.
When at last Wilfrid got him free, the unsupported Tyrolese were giving
ground before Carlo Ammiani and his followers. These fought with stern
fury, keeping close up to their enemy, rarely shouting. They presented
something like the line of a classic bow, with its arrow-head; while the
Tyrolese were huddled in groups, and clubbed at them, and fell back for
space, and ultimately crashed upon their betraying brothers in arms,
swinging rifles and flying. The Austro-Italians rang out a Viva for
Italy, and let them fly: they were swept from the scene.
Vittoria heard her lover addressing his followers. Then he and Angelo
stood over Count Karl, whom she had forgotten. Angelo ran up to her, but
gave place the moment Carlo came; and Carlo drew her by the hand swiftly
to an obscure bend of the rolling ground, and stuck his sword in the
earth, and there put his arms round her and held her fast.
"Obey me now," were his first words.
"Yes," she answered.
He was harsh of eye and tongue, not like the gentle youth she had been
torn from at the door of La Scala.
"Return; make your way to Brescia. My mother is in Brescia. Milan is
hateful. I throw myself into Vicenza. Can I trust you to obey?"
"Carlo, what evil have you heard of me?"
"I listen to no tales."
"Let me follow you to Vicenza and be your handmaid, my beloved."
"Say that you obey."
"I have said it."
He seemed to shut her in his heart, so closely was she enfolded.
"Since La Scala," she murmured; and he bent his lips to her ear,
whispering, "Not one thought of another woman! and never till I die."
"And I only of you, Carlo, and for you, my lover, my lover!"
"You love me absolutely?"
Public-domain text, read in full here on John Shaqi.
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