Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
"A letter from Countess Anna to Countess d'Isorella," said the duchess.
"Burnt!" Laura screamed.
"It's only fair," the duchess remarked.
"From her to that woman! It may be priceless. Stop! Let me see what
remains. Amalia! are you mad? Oh! you false friend. I would have
sacrificed my right hand to see it."
"Try and love me still," said the duchess, letting her take one unburnt
corner, and crumble the black tissuey fragments to smut in her hands.
There was no writing; the unburnt corner of the letter was a blank.
Laura fooled the wretched ashes between her palms. "Good-night," she
said. "Your face will be of this colour to me, my dear, for long."
"I cannot behave disgracefully, even to keep your love, my beloved," said
the duchess.
"You cannot betray a German, you mean," Laura retorted. "You could let a
spy into the house."
"That was a childish matter--merely to satisfy a whim."
"I say you could let a spy into the house. Who is to know where the
scruples of you women begin? I would have given my jewels, my head, my
husband's sword, for a sight of that letter. I swear that it concerns
us. Yes, us. You are a false friend. Fish-blooded creature! may it be
a year before I look on you again. Hide among your miserable set!"
"Judge me when you are cooler, dearest," said the duchess, seeking to
detain the impetuous sister of her affection by the sweeping skirts; but
Laura spurned her touch, and went from her.
Irma drove to Countess d'Isorella's. Violetta was abed, and lay fair
and placid as a Titian Venus, while Irma sputtered out her tale, with
intermittent sobs. She rose upon her elbow, and planting it in her
pillow, took half-a-dozen puffs of a cigarette, and then requested Irma
to ring for her maid. "Do nothing till you see me again," she said;
"and take my advice: always get to bed before midnight, or you'll have
unmanageable wrinkles in a couple of years. If you had been in bed at a
prudent hour to-night, this scandal would not have occurred."
"How can I be in bed? How could I help it?" moaned Irma, replying to
the abstract rule, and the perplexing illustration of its force.
Violetta dismissed her. "After all, my wish is to save my poor
Amaranto," she mused. "I am only doing now what I should have been doing
in the daylight; and if I can't stop him, the Government must; and they
will. Whatever the letter contained, I can anticipate it. He knows my
profession and my necessities. I must have money. Why not from the rich
German woman whom he jilted?"
She attributed Anna's apparent passion of revenge to a secret passion of
unrequited love. What else was implied by her willingness to part with
land and money for the key to his machinations?
Public-domain text, read in full here on John Shaqi.
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