Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
Until daylight Merthyr sat by himself, trying to realize the progressive
steps of the destiny which seemed like a visible hand upon Count Ammiani,
that he might know it to be nothing else than Carlo's work.
He sat in darkness in the room where Carlo had spoken, thinking of him
as living and dead. The brilliant life in Carlo protested against a
possible fatal tendency in his acts so irrevocable as to plunge him to
destruction when his head was clear, his blood cool, and a choice lay
open to him. That brilliant young life, that fine face, the tones of
Carlo's voice, swept about Merthyr, accusing him of stupid fatalism.
Grief stopped his answer to the charge; but in his wise mind he knew
Carlo to have surveyed things justly; and that the Fates are within us.
Those which are the forces of the outer world are as shadows to the power
we have created within us. He felt this because it was his gathered
wisdom. Human compassion, and love for the unhappy youth, crushed it in
his heart, and he marvelled how he could have been paralyzed when he had
a chance of interceding. Can a man stay a torrent? But a noble and fair
young life in peril will not allow our philosophy to liken it to things
of nature. The downward course of a fall that takes many waters till it
rushes irresistibly is not the course of any life. Yet it is true that
our destiny is of our own weaving. Carlo's involvements cast him into
extreme peril, almost certain death, unless he abjured his honour, dearer
than a life made precious by love. Merthyr saw that it was not vanity,
but honour; for Carlo stood pledged to lead a forlorn enterprise, the
ripeness of his own scheming. In the imminent hour Carlo had recognized
his position as Merthyr with the wisdom of years looked on it. That was
what had paralyzed the older man, though he could not subsequently trace
the cause. Thinking of the beauty of the youth, husband of the woman who
was to his soul utterly an angel, Merthyr sat in the anguish of self-
accusation, believing that some remonstrance, some inspired word, might
have turned him, and half dreading to sound his own heart, as if an evil
knowledge of his nature haunted it.
He rose up at last with a cry. The door opened, and Giacinta, Vittoria's
maid, appeared, bearing a lamp. She had been sitting outside, waiting to
hear him stir before she intruded. He touched her cheek kindly, and
thought that one could do little better than die, if need were, in the
service of such a people. She said that her mistress was kneeling. She
wished to make coffee for him, and Merthyr let her do it, knowing the
comfort there is to a woman in the ministering occupation of her hands.
It was soon daylight. Beppo had not come back to the house.
"No one has left the house?" Merthyr asked.
"Not since--" she answered convulsively.
"The Countess d'Isorella is here?"
"Yes, signore."
"Asleep?" he put the question mournfully, in remembrance of Carlo's "Let
her sleep!"
Public-domain text, read in full here on John Shaqi.
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