Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
"You could not pay a fairer compliment to some one else," she remarked.
In truth, the candid personal avowal seemed to her to hold up Vittoria's
sacred honour in a crystal, and the more she thought of it, the more she
respected him, for his shrewd intelligence, if not for his sincerity; but
on the whole she fancied him a loyal friend, not solely a clever maker of
phrases; and she was pleased with herself for thinking such a matter
possible, in spite of her education.
"I do most solemnly hope that you may not have to sustain Countess
Alessandra under any affliction whatsoever," she said at parting.
Violetta had escaped an exposure--a rank and naked accusation of her
character and deeds. She feared nothing but that, being quite
indifferent to opinion; a woman who would not have thought it
preternaturally sad to have to walk as a penitent in the streets,
with the provision of a very thick veil to cover her. She had escaped,
but the moment she felt herself free, she was surprised by a sharp twinge
of remorse. She summoned her maid to undress her, and smelt her
favourite perfume, and lay in her bed, to complete her period of rest,
closing her eyes there with a child's faith in pillows. Flying lights
and blood-blotches rushed within a span of her forehead. She met this
symptom promptly with a medical receipt; yet she had no sleep; nor would
coffee give her sleep. She shrank from opium as deleterious to the
constitution, and her mind settled on music as the remedy.
Some time after her craving for it had commenced, an Austrian foot
regiment, marching to the drum, passed under her windows. The fife is a
merry instrument; fife and drum colour the images of battle gaily; but
the dull ringing Austrian step-drum, beating unaccompanied, strikes the
mind with the real nature of battles, as the salt smell of powder strikes
it, and more in horror, more as a child's imagination realizes bloodshed,
where the scene is a rolling heaven, black and red on all sides, with
pitiable men moving up to the mouth of butchery, the insufferable
flashes, the dark illumination of red, red of black, like a vision of the
shadows Life and Death in a shadow-fight over the dear men still living.
Sensitive minds may be excited by a small stimulant to see such pictures.
This regimental drum is like a song of the flat-headed savage in man. It
has no rise or fall, but leads to the bloody business with an unvarying
note, and a savage's dance in the middle of the rhythm. Violetta
listened to it until her heart quickened with alarm lest she should be
going to have a fever. She thought of Carlo Ammiani, and of the name of
Nagen; she had seen him at the Lenkensteins. Her instant supposition was
that Anna had perhaps paid heavily for the secret of Carlo's movements an
purpose to place Major Nagen on the Brescian high-road to capture him.
Capture meant a long imprisonment, if not execution. Partly for the sake
Public-domain text, read in full here on John Shaqi.
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