Vivian GreyDisraeli, Benjamin, Earl of Beaconsfield
ReligionIslamic
Vivian Grey
Disraeli, Benjamin, Earl of Beaconsfield
Bildungsromans; British -- Europe -- Fiction; Political fiction; Politicians -- Fiction; Young men -- Fiction
“One day Moore and Rogers went to call on Denon. Rogers gave their names
to the Swiss, Monsieur Rogers et Monsieur Moore. The Swiss dashed open
the library door, and, to the great surprise of the illustrious
antiquary, announced, Monsieur l’Amour! While Denon was doubting whether
the God of Love was really paying him a visit or not, Rogers entered. I
should like to have seen Denon’s face!”
“And Monsieur Denon did take a portrait of Mr. Rogers as Cupid, I
believe?”
“Come, madam, ‘no scandal about Queen Elizabeth.’ Mr. Rogers is one of
the most elegant-minded men in the country.”
“Nay! do not lecture me with such a laughing face, or else your moral
will be utterly thrown away.”
“Ah! you have Retsch’s ‘Faust’ there. I did not expect on a drawing-room
table at Château Desir to see anything so old, and so excellent, I
thought the third edition of Tremaine would be a very fair specimen of
your ancient literature, and Major Denham’s hair-breadth escapes of your
modern. There was an excellent story about, on the return of Denham and
Clapperton. The travellers took different routes, in order to arrive at
the same point of destination. In his wanderings the Major came unto an
unheard-of Lake, which, with the spirit which they of the Guards surely
approved, he christened ‘Lake Waterloo.’ Clapperton arrived a few days
after him; and the pool was immediately re-baptized ‘Lake Trafalgar.’
There was a hot quarrel in consequence. Now, if I had been there, I
would have arranged matters, by proposing as a title, to meet the views
of all parties, ‘The United Service Lake.’”
“That would have been happy.”
“How beautiful Margaret is,” said Vivian, rising from his ottoman, and
seating himself on the sofa by the lady. “I always think that this is
the only Personification where Art has not rendered Innocence insipid.”
“Do you think so?”
“Why, take Una in the Wilderness, or Goody Two Shoes. These, I believe,
were the most innocent persons that ever existed, and I am sure you will
agree with me, they always look the most insipid. Nay, perhaps I was
wrong in what I said; perhaps it is Insipidity that always looks
innocent, not Innocence always insipid.”
“How can you refine so, when the thermometer is at 100°! Pray, tell me
some more stories.”
“I cannot, I am in a refining humour: I could almost lecture to-day at
the Royal Institution. You would not call these exactly Prosopopeias of
Innocence?” said Vivian, turning over a bundle of Stewart Newton’s
beauties, languishing, and lithographed. “Newton, I suppose, like Lady
Wortley Montague, is of opinion, that the face is not the most beautiful
part of woman; at least, if I am to judge from these elaborate ankles.
Now, the countenance of this Donna, forsooth, has a drowsy placidity
worthy of the easy-chair she is lolling in, and yet her ankle would not
disgrace the contorted frame of the most pious faquir.”
“Well! I am an admirer of Newton’s paintings.”
Public-domain text, read in full here on John Shaqi.
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