Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
Ambition was the leading characteristic of Lady Jane's mind. As a girl,
she had been ambitious for herself, and that ambition had been
disappointed; as a woman, her ambition transferred itself to her son.
She was the eldest daughter of the Earl of Lodway, a nobleman who had
been considerably overweighted in the handicap of life, having nine
children, seats in three counties, a huge old house in St. James's
Square, and a small income--his three estates consisting of some of the
barrenest and most unprofitable land in Great Britain. Of Lord Lodway's
nine children, five were daughters, and of these Lady Jane was the
eldest and the handsomest. Even in her nursery she had a very distinct
notion that, for her, marriage meant promotion. She used to play at
being married at St. George's, Hanover Square, and would never consent
to have the ceremony performed by less than two bishops; even though
the part of one hierarch had to be represented by the nursery
hearth-broom. In due course Lady Jane Umleigh made her debut in
society, in all the bloom and freshness of her stately Saxon beauty.
She was admired and talked about, and acknowledged as one of the belles
of that season; her portrait was engraved in the Book of Beauty, and
her ball programmes were always filled with the very best names; but at
the end of the season, Lady Lodway went back to the Yorkshire Wolds
with a biting sense of failure and mortification. Her handsome daughter
had not sent her arrow home to the gold. She had not received a single
offer worth talking about.
"Don't you think you could consent to be married by one bishop and a
dean, Jenny, if the Marquis comes to the scratch soon after the
twelfth?" asked Lady Jane's youngest brother derisively.
He had been made to do bishop in those play-weddings of Lady Jane's,
very often when the function went against the grain.
Public-domain text, read in full here on John Shaqi.
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