Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
The Briarwood drawing-room looked a great deal too vast and too lofty
for the three women who were occupying it this evening. It was a
finely-proportioned room, and its amber satin hangings made a pleasing
background for the white and gold furniture. White, gold, and amber
made up the prevailing tone of colour. Clusters of wax lights against
the walls and a crystal chandelier with many candles, filled the room
with a soft radiance. It was a room without shadow. There were no
recesses, no deep-set windows or doors. All was coldly bright,
faultlessly elegant. Rorie detested his mother's drawing-room almost as
much as he detested himself in a dress-coat that was too short in the
sleeves.
The matrons were seated on each side of the shining gold and steel
fireplace, before which there stretched an island of silky white fur.
Lady Jane Vawdrey's younger sister was a stout, comfortable-looking
woman in gray silk, who hardly realised one's preconceived notion of a
duchess. Lady Jane herself had dignity enough for the highest rank in
the "Almanach de Gotha." She wore dark green velvet and old rose-point,
and looked like a portrait of an Austrian princess by Velasquez. Years
had not impaired the purity of her blonde complexion. Her aquiline
nose, thin lips, small firm chin, were the features of one born to
rule. Her light brown hair showed no streak of gray. An admirable
woman, no doubt, for anybody else's mother, as Rorie so often said to
himself.
The young lady was still sitting at the piano, remote from the two
elders, her slim white fingers running in and out and to and fro in
those wondrous intricacies and involutions which distinguish modern
classical music. Rorie hated all that running about the piano to no
purpose, and could not perceive his cousin's merit in having devoted
three or four hours of her daily life for the last seven years to the
accomplishment of this melodious meandering. She left off playing, and
held out her small white hand to him as he came to the piano, after
shaking hands with his aunt.
What was she like, this paragon formed by a mother's worshipping love
and ceaseless care, this one last pearl in the crown of domestic life,
this child of so many prayers and hopes, and fears, and deep pathetic
rejoicings?
Public-domain text, read in full here on John Shaqi.
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