Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
"Your speech would have been capital half a century ago, Rorie," she
said, "and you don't arra--arra--as poor papa does, which is something
to be thankful for; but all that talk about the Forest seemed to be an
anachronism. People are not rooted in their native soil nowadays, as
they used to be in the old stage-coach times, when it was a long day's
journey to London. One might as well be a vegetable at once if one is
to be pinned down to one particular spot of earth. Why, the Twelve
Apostles," exclaimed Mabel, innocent of irreverence, for she meant
certain ancient and fast-decaying oaks so named, "see as much of life
as your fine old English gentleman. Men have wider ideas nowadays. The
world is hardly big enough for their ambition."
"I would rather live in a field, and strike my roots deep down like one
of those trees, than be a homeless nomad with a world-wide ambition,"
answered Rorie. "I have a passion for home."
"Then I wonder you spend so little time in it."
"Oh, I don't mean a home inside four walls. The Forest is my home, and
Briarwood is no dearer to me than any other spot in it."
"Not so dear as the Abbey House, perhaps?"
"Well, no. I confess that fine old Tudor mansion pleases me better than
this abode of straight lines and French windows, plate glass and gilt
mouldings."
They sat side by side upon the amber ottoman, Rorie with Mabel's blue
feather fan in his hand, twirling and twisting it as he talked, and
doing more damage to that elegant article in a quarter of an hour than
a twelvemonth's legitimate usage would have done. People, looking at
the pretty pair, smiled significantly, and concluded that it would be a
match, and went home and told less privileged people about the evident
attachment between the Duke's daughter and the young commoner. But
Rorie was not strongly drawn towards his cousin this evening. It seemed
to him that she was growing more and more of a paragon; and he hated
paragons.
She played presently, and afterwards sang some French _chansons_. Both
playing and singing were perfect of their kind. Rorie did not
understand Chopin, and thought there was a good deal of unnecessary
hopping about the piano in that sort of thing--nothing concrete, or
that came to a focus; a succession of airy meanderings, a fairy dance
in the treble, a goblin hunt in the bass. But the French _chansons_,
the dainty little melodies with words of infantile innocence, all about
leaves and buds, and birds'-nests and butterflies, pleased him
infinitely. He hung over the piano with an enraptured air; and again
his friends made note of his subjugation, and registered the fact for
future discussion.
CHAPTER VI.
How she took the News.
Public-domain text, read in full here on John Shaqi.
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