Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
"Certainly, my dear Violet," replied a gentle, _trainante_ voice from
the fire-lit dimness near the velvet-curtained hearth. "Of course I am
always glad to see Mr. Vawdrey when your papa asks him. Where did you
meet the Squire, Roderick?"
"Upon my word, Mrs. Tempest," faltered Rorie, coming slowly forward
into the ruddy glow, "I feel quite awfully ashamed of myself; I've been
rabbit-shooting, and I'm a most horrid object. It wasn't the Squire
asked me to stay. It was Vixen."
Vixen made a ferocious grimace at him--he could just see her distorted
countenance in the fire-light--and further expressed her aggravation by
a smart crack of her whip.
"Violet, my love, you have such startling ways," exclaimed Mrs.
Tempest, with a long-suffering air. "Really, Miss McCroke, you ought to
try and correct her of those startling ways."
On this Roderick became aware of a stout figure in a tartan dress,
knitting industriously on the side of the hearth opposite Mrs.
Tempest's sofa. He could just see the flash of those active needles,
and could just hear Miss McCroke murmur placidly that she had corrected
Violet, and that it was no use.
Rorie remembered that plaid poplin dress when he was at Eton. It was a
royal Stuart, too brilliant to be forgotten. He used to wonder whether
it would ever wear out, or whether it was not made of some
indestructible tissue, like asbestos--a fabric that neither time nor
fire could destroy.
"It was Rorie's last night, you see, mamma," apologised Vixen, "and I
knew you and papa would like him to come, and that you wouldn't mind
his shooting-clothes a bit, though they do make him look like the
under-keeper, except that the under-keeper's better looking than Rorie,
and has finished growing his whiskers, instead of living in the
expectation of them."
And with this Parthian shot, Vixen made a pirouette on her neat little
morocco-shod toes, and whisked herself out of the room; leaving
Roderick Vawdrey to make the best of his existence for the next twenty
minutes with the two women he always found it most difficult to get on
with, Mrs. Tempest and Miss McCroke.
The logs broke into a crackling blaze just at this moment, and lighted
up that luxurious hearth and the two figures beside it.
It was the prettiest thing imaginable in the way of a drawing-room,
that spacious low-ceiled chamber in the Abbey House.
Public-domain text, read in full here on John Shaqi.
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