Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
The Duke and Duchess returned to Ashbourne with Lady Mabel a short time
before Christmas, and the Duchess and her daughter came to one of Mrs.
Winstanley's Tuesday afternoons, attended by Roderick Vawdrey. They
came with an evident intention of being friendly, and the Duchess was
charmed with the old oak hall, the wide hearth and Christmas fire of
beech-logs, the light flashing upon the men in armour, and reflected
here and there on the beeswaxed panels as on dark water. In this wintry
dusk the hall looked its best, dim gleams of colour from the old
painted glass mixing with the changeful glow of the fire.
"It reminds me a little of our place in Scotland," said the Duchess,
"only this is prettier. It has a warmer homelier air. All things in
Scotland have an all-pervading stoniness. It is a country overgrown
with granite."
Mrs. Winstanley was delighted to be told that her house resembled one
of the ducal abodes.
"I daresay your Scotch castle is much older than this," she said
deprecatingly. "We only date from Henry the Eighth. There was an abbey,
built in the time of Henry the First; but I am afraid there is nothing
left of that hut the archway leading into the stables."
"Oh, we are dreadfully ancient at Dundromond; almost as old as the
mountains, I should think," answered the Duchess. "Our walls are ten
feet thick, and we have an avenue of yew trees said to be a thousand
years old. But all that does not prevent the Duke getting bronchitis
every time he goes there."
Vixen was in attendance upon her mother, dressed in dark green cloth.
Very much the same kind of gown she had on that day at the kennels,
Rorie thought, remembering how she looked as she stood with quickened
breath and tumbled hair, encircled by those eager boisterous hounds.
"If Landseer could have lived to paint her, I would have given a small
fortune for the picture," he thought regretfully.
Lady Mabel was particularly gracious to Violet. She talked about dogs
and horses even, in her desire to let herself down to Miss Tempest's
level; praised the Forest; made a tentative remark about point lace;
and asked Violet if she was fond of Chopin.
"I'm afraid I'm not enlightened enough to care so much for him as I
ought." Vixen answered frankly.
"Really! Who is your favourite composer?"
Violet felt as if she were seated before one of those awful books which
some young ladies keep instead of albums, in which the sorely-tormented
contributor is catechised as to his or her particular tastes,
distastes, and failings.
"I think I like Mozart best."
"Do you, really?" inquired Lady Mabel, looking as if Violet had sunk
fathoms lower in her estimation by this avowal. "Don't you think that
he is dreadfully tuney?"
"I like tunes," retorted Vixen, determined not to be put down. "I'd
rather have written '_Voi che sapete_,' and '_Batti, batti_,' than all
Chopin's nocturnes and mazurkas."
Public-domain text, read in full here on John Shaqi.
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