Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
"Mamma, do you think I'm going to make a secondhand bridesmaid of
myself to oblige Lord Mallow? No; that dress too painfully bears the
stamp of what it was made for. I'm afraid it will have to rot in the
wardrobe where it hangs. If it were woolen, the moths would inevitably
have it; but, I suppose, as it is silk it will survive the changes of
time; and some day it will be made into chair-covers, and future
generations of Tempests will point to it as a relic of my great-aunt
Violet."
"I never heard anything so absurd," cried Mrs. Winstanley fretfully.
"It was Theodore's _chef-d'oeuvre_, and no doubt I shall have to pay an
awful price for it."
"Ah, mamma, we are continually doing things for which we have to pay an
awful price," said Vixen, with one of her involuntary bursts of bitter
sadness.
CHAPTER X.
Something like a Ride.
It was impossible to go on hating Lord Mallow for ever. He was a man
whose overflowing good-nature would have conciliated the direst foe,
could that enemy have been exposed long enough to its softening
influence. He came upon the dull daily life of the Abbey House like a
burst of sudden sunshine on a gloomy plain. The long winter evenings,
when there was no company, had been sorely oppressive to Vixen. Out of
respect to her mother she had kept her place in the drawing-room,
reading, or working at some uninteresting strip of point-lace, which
she had no hope of ever finishing, though it had been promised to Mr.
Scobel for his church. Captain Winstanley read the newspapers or the
quarterlies, and paced the room thoughtfully at intervals. He talked to
his wife just enough to escape the charge of neglect, but rarely spoke
to or noticed Violet. Sometimes Mrs. Winstanley asked for a little
music; whereupon Violet went to the piano and played her scanty
recollections of Mozart or Beethoven--all "tuney" bits, remembered out
of the sonatas or symphonies Miss McCroke had taught her; or, if asked
to sing, the girl sang a ballad or two, to order, in her full round
mezzo-soprano, which had a thrilling expression at times, when feeling
got the better of her proud reserve, and all the pent-up sorrow of her
heart broke loose into her song. But Captain Winstanley took no notice
of these efforts, and even her mother's praises were not enthusiastic.
"Very sweet, very nice," was the most Vixen ever heard from those
maternal lips as she closed the piano.
But here was Lord Mallow, passionately fond of music and singing, and
the beauties of nature, and all things that appeal to the sensitive
Hibernian character. It seemed a new thing to Violet to have someone
standing by the piano, turning over the leaves, applauding rapturously,
and entreating for another and yet another Irish melody. When she sang
"The Minstrel Boy," he joined in with a rich baritone that harmonised
finely with her full ripe notes. The old room vibrated with the strong
gush of melody, and even Captain Winstanley was impelled to praise.
Public-domain text, read in full here on John Shaqi.
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