There were very few words of any kind between Violet and Mrs. Tempest at this time. The girl kept herself as much as possible apart from her mother. The widow lived her languid drawing-room life, dawdling away long slow days that left no more impression behind them than the drift of rose-leaves across the velvet lawn before her windows. A little point-lace, deftly worked by slim white fingers flashing with gems; a little Tennyson; a little Owen Meredith; a little Browning--only half understood at best; a little scandal; a great deal of orange pekoe, sipped out of old Worcester teacups of royal blue or flowered Swansea; an hour's letter-writing on the last fashionable note-paper; elegantly-worded inanity, delicately penned in a flowing Italian hand, with long loops to the Y's and G's, and a serpentine curve at the end of every word. No life could well have been more useless or vapid. Even Mrs. Tempest's charities--those doles of wine and soup, bread and clothing, which are looked for naturally from the mistress of a fine old mansion--were vicarious. Trimmer, the housekeeper, did everything. Indeed, in the eyes of the surrounding poor, Mrs. Trimmer was mistress of the Abbey House. It was to her they looked for relief; it was her reproof they feared; and to her they louted lowest. The faded beauty, reclining in her barouche, wrapped in white raiment of softest China crape, and whirling past them in a cloud of dust, was as remote as a goddess. They could hardly have realised that she was fashioned out of the same clay that made themselves.