Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
Mrs. Winstanley was slow to recover from the shock of her husband's
strong language about Theodore's bill. She was sensitive about all
things that touched her own personality, and she was peculiarly
sensitive about the difference between her husband's age and her own.
She had married a man who was her junior; but she had married him with
the conviction that, in his eyes at least, she had all the bloom and
beauty of youth, and that he admired and loved her above all other
women. That chance allusion to her wrinkles had pierced her heart. She
was deeply afflicted by the idea that her husband had perceived the
signs of advancing years in her face. And now she fell to perusing her
looking-glass more critically than she had ever done before. She saw
herself in the searching north light; and the north light was more
cruel and more candid than Captain Winstanley. There were lines on her
forehead--unmistakable, ineffaceable lines. She could wear her hair in
no way that would hide them, unless she had hidden her forehead
altogether under a bush of frizzy fluffy curls. There was a faded look
about her complexion, too, which she had never before discovered--a
wanness, a yellowness. Yes, these things meant age! In such a spirit,
perchance, did Elizabeth of England survey the reflection in her
mirror, until all the glories of her reign seemed as nothing to her
when weighed against this dread horror of fast-coming age. And luckless
Mary, cooped up in the narrow rooms at Fotheringay, may have deemed
captivity, and the shadow of doom, as but trifling ills compared with
the loss of youth and beauty. Once to have been exquisitely beautiful,
the inspiration of poets, the chosen model of painters, and to see the
glory fading--that, for a weak woman, must be sorrow's crown of sorrow.
Public-domain text, read in full here on John Shaqi.
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