Domestic fiction; English fiction -- 19th century; Psychological fiction; Women -- England -- Fiction
"I can't tell how she feels," answered the Vicar doubtfully; "but she
does not look so happy as she did when Violet was at home."
"The fact is she gives way too much," exclaimed active little Mrs.
Scobel, who had never given way in her life. "When she has a head-ache
she lies in bed, and has the venetian blinds kept down, just as if she
were dying. No wonder she looks pale and----"
"Etiolated," said the Vicar; "perishing for want of light. But I
believe it's moral sunshine that is wanted there, my dear Fanny, say
what you will."
Mr. Scobel was correct in his judgment. Pamela Winstanley was a most
unhappy woman--an unhappy woman without one tangible cause of
complaint. True that her daughter was banished; but she was banished
with the mother's full consent. Her personal extravagances had been
curtailed; but she was fain to admit that the curtailment was wise,
necessary, and for her own future benefit. Her husband was all
kindness; and surely she could not be angry with him if he seemed to
grow younger every day--rejuvenated by regular habits and rustic
life--while in her wan face the lines of care daily deepened, until it
would have needed art far beyond the power of any modern Medea to
conceal Time's ravages. Your modern Medeas are such poor
creatures--loathsome as Horace's Canidia, but without her genius or her
power.
"I am getting an old woman," sighed Mrs. Winstanley. "It is lucky I am
not without resources against solitude and age."
Her resources were a tepid appreciation of modern idyllic poetry, as
exemplified in the weaker poems of Tennyson, and the works of Adelaide
Proctor and Jean Ingelow, a talent for embroidering conventional
foliage and flowers on kitchen towelling, and for the laborious
conversion of Nottingham braid into Venetian point-lace.
She had taken it into her head of late to withdraw herself altogether
from society, save from such friends who liked her well enough, or were
sufficiently perplexed as to the disposal of their lives, to waste an
occasional hour over gossip and orange pekoe. She had now permanently
assumed that _role_ of an invalid which she had always somewhat
affected.
"I am really not well enough to go to dinner-parties, Conrad," she
said, when her husband politely argued against her refusal of an
invitation, with just that mild entreaty which too plainly means, "I
don't care a jot whether you go with me or stay at home."
"But, my dear Pamela, a little gaiety would give you a fillip."
"No, it would not, Conrad. It would worry me to go to Lady Ellangowan's
in one of last season's dresses; and I quite agree with you that I must
spend no more money with Theodore."
"Why not wear your black velvet?"
"Too obvious a _pis aller_. I have not enough diamonds to carry off
black velvet."
"But your fine old lace--rose-point, I think you call it--surely that
would carry off black velvet for once in a way."
Public-domain text, read in full here on John Shaqi.
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